Happy no-longer Halloween, everyone!

We had a successful talk at the Community Learning Center in Kendallville Thursday, once I got over being intimidated by the size of the room.

 


I mean, they put us on an actual stage, and handed us microphones. Two dozen people were there; we sold eleven books, and signed two others that had been previously purchased. That's pretty good, when you consider they had to pay $15 to get in.

 

That makes two live presentations, a book signing, a radio station interview, a TV interview, and a podcast, and we're exhausted. Emily and I are what people now call introverts: When we're out in public, especially when attention is on us, it drains our batteries. It didn't help that we had to fight off a cold during this period.

And yet it's good for us to get out, and we've made sales. We even got a sale from out of the area after our radio interview with Jack Hammer, at WXKE.

 


 I'm not that good at public speaking, but I think I held my own.

 

I expect sales of Haunted Noble County, Indiana to drop now that the spooky season is over. Sadly, I don't have books named Thanksgiving In Indiana or A Hoosier Christmas, but it is that time of year when I try to push book sales for gift giving season. The number of authors who never have to worry about promotion is probably in the low three digits, these days.

 On a related note, if you've ever bought any of our books, please leave a review! Amazon only allows reviews from people with an account who've spent $50 in the last year, but the book does not have to be purchased there. Goodreads is good, too. It's in the name.

You can't imagine how important reviews are to the success of a book. It doesn't have to be something long and complicated.

 



 

 

 So, what's next? I mean after recovery, because being out in the cold and various allergens has left us sniffling and exhausted. Next step for me is to start working again on the Hoosier Hysterical sequel. We want it to come out early next year in honor of America's Semiquincentennial, which is a real word, I think. I should probably just call it our 250th birthday.

Meanwhile, Emily is going to reformat and make a new cover for Radio Red, which we're re-releasing after getting the rights back from the original publisher. It's a fun romantic comedy set in Michigan, and I think people will like it. Sadly, very little was done to promote it earlier.

Then we have to finish the Albion Fire Department photo book (send pictures!), publish a Storm Chaser prequel, continue submitting half a dozen finished manuscripts to publishers and agents, and write more. Granted, writing is not a spectator sport, but for us it's an exciting time coming up.

 



 


Even introverts can be extroverted on the internet:

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914

·        Audible:  https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

 


Remember: Book sales are how we afford caffeinated beverages, and we’d be no fun without them.



 I was really shocked when Emily told me I hadn't officially posted the link to the interview we did with Channel 21 (21Alive) News, which is out of Fort Wayne. What kind of self-promotion is that? None, so here's the link:

https://www.21alivenews.com/2025/09/11/albion-couple-releases-book-about-haunted-noble-county-locations/
 

 


 

 

 I guess that makes this a bonus blog, because I've only been doing one a week. The good news is, I've been working on the sequel to Hoosier Hysterical, and I'm up to 7,673 words and some 600 photos. The number of photos that end up in the book will be way less than that.

 

 


Of course, more books depend on current sales, reviews, and general attention, I'm just sayin'.

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914

·        Audible:  https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

 

Remember: TV, it turns out, IS good for something.



My Fort Wayne TV interview was reposted to a South Bend station, and also to an Evansville station. How cool is that? (Pretty cool!)

21Country: Haunted Noble County https://www.wndu.com/video/2023/10/26/21country-haunted-noble-county/

https://www.14news.com/video/2023/10/26/21country-haunted-noble-county/



 My interview with Eric Olson of 21Alive's "21 Country" segment went pretty well, other than that TV cameras are really good at picking up bald spots. Here's the link:
 

https://www.21alivenews.com/2023/10/26/21country-haunted-noble-county/

 

 

 

Thanks to Eric, who's interviewed me three times now since I first got published in 2011. (I believe the last time was 2017.) I didn't think about it when he contacted me, but interviewing someone writing a book called "Haunted Noble County" pretty well fits in with the season, doesn't it?

Now I have to write the darned thing.

I'm actually progressing well on the research, and I've written some of the text. I'm running behind on going out to actually talk to people due to some ongoing time and health issues, but catching up is my middle name. (My middle name is actually Ketchup. Long story.)


 

 

 

 

 

Remember, not reading can lead to your being haunted by a dead author. They smell like ink and desperation.

 


 

 

I was interviewed Friday by Eric Olson of Fort Wayne's 21Alive News (He's the 21Country Reporter), and he says it will come out this Wednesday, October 25th. Now, I don't know if that means morning, noon, evening news, 2 a.m news break ... or if some horrific thing will cause it to be rescheduled. Eric doesn't think so, but the last time he interviewed me it didn't air on the scheduled date. Fingers crossed! Here's some info about him:

https://www.21alivenews.com/authors/EricOlson/
 

This is the third interview he's done with me, and the fourth TV interview I've ever done. This time it was not about our books, but our book to be: Haunted Noble County, Indiana. I'll put up a link to the interview when it goes up online. As for how it went, I have confidence in Eric's ability to edit out my throat clearings and verbal face plants.


He interviewed me at home, and also took some video footage at Albion's Rose Hill Cemetery, which I told him has some history of hauntings, and the Old Noble County Jail Museum, which I told him looks like it should, but doesn't.

The above photo shows him in action at the cemetery, while the below photo gives us a glimpse of the Old Jail as taken from the cemetery. 

We cleaned up the office for this. Seriously, check this out:

 

This is where Emily's editing/cover design/formatting/correcting my screw-ups happens.

And this is where I do a lot of my research work, although the actual writing often happens on the living room couch. The wallpaper pre-dates my ownership of the house. (So does the carpet.)

    

 

Remember, whenever you don't buy a book, a stack of manuscripts start to build up on writing desks. Save our sanity.

 

Here's the interview!

(So you won't be confused like I was, Arts in Focus is a half hour long show with two fifteen minute segments, and I was in the second segment. Not that the first one wasn't interesting, but I forgot--and panicked when the show started with someone else.)

 

https://vimeo.com/340742147?fbclid=IwAR1SldahLEq1E73IzOYvGM5T5Nce-9gvFuAGDoZ5qfIQhgu4jRpsMWQRc0Q

 

 Tell all your friends! And enemies. Heck, tell everybody.

Overall, I think it went pretty well ... could have smiled more, but I was too busy trying to think. Naturally, we really hope this interests people in checking out our books.

 

 

 

Find all of our books at:

http://markrhunter.com/

https://www.amazon.com/-/e/B0058CL6OO

I got confirmation that the PBS interview with me will air tonight at 7:30 p.m. Indiana time, on PBS39's Arts In Focus program. That should be channels 13 and 713 on Mediacom here in Albion. In addition, there will be a repeat airing on Explorer Sunday, 10:30 p.m. Sunday on channels 39 and 39.4.

The link to the episode should be up on the PBS39 Facebook page Friday:

https://www.facebook.com/PBS39FtWayne/

Thanks to Production Assistant Lizzie Britner for providing me with that information. I'm working some overtime the next few days (If you watch the first airing, you'll probably see this before I do), but as soon as I have time I'll put the direct link to the episode up on my own social media. Hope it goes well!

Hey, guess what? Actually, the headline kind of spoiled it: My interview with the Fort Wayne TV station, WFWA PBS39, will air Thursday, June 6th. Their Arts In Focus webpage is here:

 https://video.wfwa.org/show/wfwa-arts-focus/

Their schedule is also up on that page: Looks like it's going to air at 7:30 p.m. Indiana time, on channel 39.1 ... but TV Guide has it at 6:30 p.m. on Mediacom's PBS channel 713. Um ... check your local listings?

Well, if you miss it or don't live nearby, I'll put up the link when the interview is posted on their website. I hope many people will be able to watch it when it airs, though.

We're very excited. Of course, "excited" can be both good and bad because, after all, I haven't seen the actual interview, myself. How will it be edited? Will they use any of the photos I sent them? Did I have a nervous tic nobody caught that can't be edited out?

I've never considered myself a good public speaker--heck, that's one reason why I took up writing, to begin with. But if it is a disaster, I can comfort myself with the knowledge that watching disasters unford is exactly what attracts many people to their favorite shows, anyway.

 

Find all of our books at:
http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO

Got a haircut. Trimmed my beard. Died my beard. Yeah, I'm as ready as I can get.

I'm going to be on TV! Specifically a program called Arts In Focus, which airs on PBS39 in Fort Wayne. Here's a link to their previous Arts In Focus profiles:

http://wfwa.org/local-shows/arts-in-focus/

They contacted me after I sent out a press release about Coming Attractions, and said they'd heard a lot about my books. I took that to mean they got all my previous press releases. 😃

So far as I can tell I'll be their first author interviewed, which means I'll also be their least photogenic subject. I've been watching other episodes, where they've featured photographers, painters, dancers, woodworkers, glass artists, and confectionary artists--which I learned means making yummy sweets that also look good. Often the subjects are shown producing their art, which is really cool.

I'm going to ... talk. Or maybe they'll film me typing and reading, as Eric Olson did over on ABC21. Yes, writing is an art, but unlike those other arts, it's not a spectator sport. So we'll see how it goes ... maybe between now and then I can come up with an interpretive writer's dance?

 

Eric thought reading my own book is so much fun to watch!


A South Bend radio station has done a profile of Pokagon State Park in northeast Indiana:


http://www.wndu.com/content/news/One-Tank-Trips-Pokagon-State-Park-488533701.html

Part of their profile includes the Pokagon Saddle Barn, where my wife works. She's only on screen briefly: She's the woman in the cowboy hat saying "My name is Emily, but if you forget you can call me Horse Lady". I think I'm going to call her Horse Lady from now on!

In this photo (which I took while trying not to fall of a horse myself) Horse Lady is in front, looking around for the coyote that just crossed the trail.
Doctor Who fans are aghast, or deliriously happy, that the show's main character is having a sex change. Non Doctor Who fans are saying the same thing they always say when they hear details about the show: "Huh?"

We'll get to the good Doctor--whose name is not Who--in a moment. This is set against the bigger question of whether it's okay to change the race or gender of an established character, always (so far) to a person of color and/or womanliness. In general, if it's another case of political correctness gone rampant (I call it Political Over-Correctness) I'm not a fan.

"The next James Bond needs to be black!"
"Why?"
"So we can have a black James Bond!"
"Okay. Or, you could just create a black secret agent from scratch."
"Yeah, but ... then he wouldn't be James Bond!"

Honestly, it's not something I care enough about to argue over, which sets me apart from most people who care at all. If the TV and movie industry disappeared from the face of the earth right now--which isn't the worst idea ever--I'd just go back to reading books for entertainment. Interestingly, if the race of a character in a book isn't specifically mentioned, most people either don't think about it at all or put their own skin color on the character. It never occurred to me, until I saw the wildly entertaining TV version, that Shadow Moon from American Gods was black. You can call that racism or you can call it being color blind, whatever. People will color anything I say here with their own views anyway.

James Bond is an interesting case when it comes to gender and race swapping, because the franchise has already done it--just not with 007. Bond's CIA buddy Felix Leiter has already turned from white to black--twice, if you include 1983's Never Say Never Again. The famous Moneypenny had a similar transformation, while Bond's boss M became a female ... although it should be noted that M is a title, rather than an individual.

You can complain about it all you want, but for me when it does work, it works spectacularly. Starbuck from Battlestar Galactica was just as much fun and kick-ass as a woman in the reboot, for instance. From the time I was old enough to read comics I knew Nick Fury as a white guy, fighting his way across Europe in World War II. Now I can't imagine him looking like anyone but Samuel L. Jackson.

Which brings us back to Doctor Who, who Samuel L. Jackson could totally play if he wanted to. Are you going to tell him no?

On the question of changing a character's looks just for the sake of changing them, the Doctor is a special case. Sometimes the actor playing a character is changed without explanation, as with the James Bond series. (Wait--who's this new Darrin on Bewitched?) Sometimes it's a reboot, as with Battlestar Galactica, and thus not really the same character. But Doctor Who ...

Okay, in case you don't know, I'd better offer a brief explanation.

The original Doctor Who, back in 1963, was an old guy. He was a grandfatherly type, on a show designed as a fun way to teach kids history. (He's a Time Lord, you see.) But the actor began to have health problems, and it was soon apparent he couldn't continue in the roll. It seemed Doctor Who was doomed to retirement.

But wait, the writers said. We've already established that he's an alien. Suppose this particular species of aliens, when facing death, could cheat their way out by transforming into a new body? Regenerate into, say ... another actor's body?

Yeah, they're all the Doctor


That was twelve Doctor's ago. More, really, but we don't have time to go into that complication. In fact, the Doctor has already been a woman, played (very briefly) by Joanna Lumley in a 1999 charity episode.

So there's no story reason why the Doctor can't be female. In fact, one of his main antagonists, also a Time Lord, already regenerated from male to female. The show has had many strong female and minority characters in the past, and the Doctor's most recent companion was a black lesbian. (Is lesbian still a permitted word? I don't care.)

That's Bill, on the left. Black, prefers women, young, smart, and most importantly fun.
So that's where we are in the Doctor's complicated half century. In the Christmas episode the current Doctor is going to meet the first Doctor--that kind of thing happens, from time to time--and then presumably regenerate into someone who looks a lot like the actress Jodie Whittaker. If they did it to freshen up the show and keep things interesting ... well, why not? I'm not sure it's any more of a shock to me than when uber-young looking Matt Smith regenerated into still another grandfatherly type.

I wasn't thrilled back then ("my" Doctor is David Tennant), but I came to like Peter Capaldi's version. That's why I don't understand the so-called fans who are closing the doors of the TARDIS and going home. I know it's not just mysogeny, as some narrow minded people claim. Not always, anyway.

Honestly, I suspect it's just resistance to change in general, and I get that. Contrary to what some will tell you, sometimes change is bad. But you won't even give the new Doctor a chance? Why not? With that attitude, the show would never have made it out of the sixties.

And we'd have missed a lot of fun.

There's a new Doctor in the TARDIS

 

If I were to insult people and mean it, that wouldn't be funny.” – Don Rickles

 

And there you have it, the secret to his success. These days everybody wants to be an insult comic—just go to the comments of any web article and watch everyone sharpening their verbal knives, hurling insults, name-calling with glee. They all think they’re original, and they all think they’re funny.

 

“Who picked your clothes—Stevie Wonder?” – Don Rickles

 

Don Rickles was way ahead of them, plus he was funnier. He got away with it, too. He didn’t care about your race, sex, religion—he just wanted to know what they were so he could make fun of you.

 

“My mother was a Jewish General Patton” – Don Rickles

 

That's Don on the left, insulting the Japanese during WW II.

 

 

How did he get away with it? Easy: He didn’t mean it. Jokes today just seem mean-spirited, like you’re not trying to be funny so much as getting a dig in. 

 

“Compared to what some of the young comics use for material today, I’m a priest.” – Don Rickles

 

But with Rickles you got the impression it was all an act—that he never meant a thing that he said. That he was—although he’d deny it—secretly a nice guy. And by all accounts of those who knew him, it was true. That, as he admitted himself, was the trick—to be likeable and liked before you start with the insults.

 

“Oh my God, look at you. Anyone else hurt in the accident?” – Don Rickles

 

R.I.P. Don Rickles, 90 years old, World War II veteran and, as Johnny Carson put it, “Mr. Warmth”.

 

“If I took therapy, the doctor would quit. He’d just pick up the couch and walk out of the room.”
(To Johnny Carson) “That’s it, laugh it up. You’re making $50 million a year and your poor parents are back in Nebraska eating locusts for dinner.”

 

“Local Author (That’s me!) Follows the Story”—in which I talk to Eric Olson about planning, not giving up your day job, and the Klan. Oh, and writing.

 

 

(Just don’t forget if you search for me online to put in my middle initial, so Mark R Hunter. Otherwise you’ll end up reading about British politicians, Olympic rowers, Hollywood photographers, or dead people.)

 

So, the TV interview happened. We (Emily, the dog, and I) spent about an hour with Eric Olson of ABC21, which used to be 21Alive, which in my mind was a way better name. Bae was a little taken aback by the camera setup, and by the fact that Eric smelled like cats (according to Eric--I didn't notice it). But once the dog got used to him, Bae wanted nothing more than to be underfoot as much as possible.

Eric interviewed me after my first book was published, all the way back in 2011, so I had a pretty good idea what to expect. I don't consider myself a good interview--one of the reasons I write is to avoid talking--but I have confidence in his editing ability, so I'm sure he'll cut out of the worst of my verbal pratfalls.

The interview will be one of the 21 Country segments, which air during the 5:30 p.m. news segment on ABC21 Mondays, Wednesdays, and Fridays. That's as close as I can come to telling you when it'll be on--but it should be online the next day, at which point I'll post a link to it.

I'm coming close to being one of the most famous living authors presently writing in southwest Albion.

 

"Say, I haven't read this book since proofreading six month ago ... it isn't half bad!" If you look carefully, you can see Bae investigating down at the bottom right.

 

We got our print copies of Radio Red in, and already sent the first two copies to some of our biggest fans: Phil and Cindy Jacob (Phil's on the fire department) and Emily's mom. Since we've reduced the price by a couple of bucks on the website at www.markrhunter.com, that's also the price for anyone who drops by for a copy. (Or we can deliver, if you're close and/or have an extra room at a great vacation spot.)

Meanwhile, Eric Olson of ABC21 is dropping by the house Thursday morning for an interview. Naturally, this triggers a day of tidying up, also known as panic cleaning. So if you stop by my house--don't open any closet doors.

 

 

Emily and I just caught the most recent episode of "Gotham". The characters are great, but the show's really all about the villains--and the casting director, who should get some kind of special award. Cameron Monaghan, the guy playing the "Joker" (it's never been acknowledged that his character actually is the Joker from the comics) is the latest of a long list of revelations--I'd go so far as to say he's in my top five list of Jokers. If he is Joker.

When the show started, I wondered what they would do if it became successful. I mean, Bruce Wayne was what, twelve or thirteen? How would they bridge the gap between Gotham's past and the present day, when this naive little kid becomes Batman? How do they explain all these villains showing up so early in the timeline? How does Alfred survive getting a concussion in every single friggin' episode? (By the way, The Doctor's son is one of my favorite Alfreds.)

Well, I still don't know about any of that, but I can tell you this about the most recent episode: We saw the foundation of Batman going up. Or, you know, the seed germinating, or the origin origining, or whatever. We actually got chills. (Emily and me, not Bruce.) The kid (David Mazouz), who was one of my biggest concerns on the acting front, has taken the part and run with it, and in that last episode you could see that moment he determined to become something more.

I know some people have a problem with "Gotham" seeming to be out of the timeline, playing with origins and such, to which I say: Who's played with origins more than DC, to begin with? Just sit back and enjoy an awesome ride (Or, you know, switch to "Agents of Shield").

         Fans of L. Frank Baum’s Oz books often have mixed reactions to new Oz related projects. We want them to be faithful to the books, at a time when many people think Oz started four decades later with the MGM Judy Garland movie. On the other hand, we’re often happy to have any kind of Ozzie entertainment, even when we’re up in arms about how very un-Oz it can be.
 
So when Wicked comes along, or Oz: The Great and Powerful, or when the characters pop up on “Once Upon a Time” or “Supernatural”, we hold our breath and hope the creators get it right. Usually they don’t. (Dorothy is blonde, darn it!)

Blonde Dorothy. See? I don't make this crap up.
 
If they don’t get it right in our minds, the next question is to they get it right in spirit? (After all, Dorothy wasn’t blonde in the first Oz book.) And failing that, did they at least give us an entertaining project that keeps Oz in people’s minds?
 
Along comes “Emerald City”. The first thing I heard about the project was that it would be a “darker, edgier” look at Oz, at which point I began screaming and tearing my hair out, and believe me, I don’t have hair to waste.

 
But having said that, Baum himself often made Oz a dark place. In the first book Dorothy and the gang kill two witches, two forest beasts that are intent on eating them, and the Scarecrow even murders a murder of crows. In the second book an army invades the Emerald City and takes over, and in the third a princess decides to have Dorothy’s head cut off—to add to her collection. Come to think of it, in the fourth (spoiler alert!) the Wizard burns down an entire country, and cuts another guy in half, with a sword! Okay, the other guy was literally a vegetable, but still.
 
So yeah, maybe not such a leap. “Emerald City” was a pleasant surprise, although that might be partially because I went in with low expectations.
 
There were plenty of shout-outs for the book fans, starting right from the beginning when one of the most important non-Dorothy characters show up—sort of. (Spoilers!) Still, when they said “darker”, they weren’t kidding around.
 
Dorothy starts out in Kansas with her aunt and uncle as in the book, but she’s grown up and working in a hospital—and stealing drugs for her ailing Uncle Henry. But in this version her mother is alive and has returned, living nearby but out of contact with her daughter. When they finally meet again it’s in the midst of both a tornado and a murder; Dorothy dives into a police car for safety from both and finds herself—and the officer’s K-9—lifted through some kind of space warp into a snowy wasteland where she promptly runs someone down. Come on—you know who that someone is.
 
Things just go downhill from there, as Dorothy immediately finds herself in the middle of political intrigue and danger from all sides. At least the dog (In Oz dogs are called “Toto”) likes her, as does the brainless straw-covered Christ-figure she saves from crucifixion. Yeah, you heard that right—he’s even got a wound in his side.
 
Sure enough, Dorothy is on her way down the Yellow Brick Road, although in Mountainous terrain full of death and destruction and people wanting to kill her. Meanwhile the Wizard has taken control of Oz despite the hatred of the only two witches left, there’s a frozen giant poised to destroy the witches’ temple, Dorothy may have signed a death warrant for the little boy she “rescued”, and it’s all very steampunk. It was about as far from the Oz books as you could get, and yet, in a strange way, not.
 
I mean, steampunk? Baum had an entire city that mechanically sank beneath a lake for defense, and a mechanical man who literally had to be wound up to work.
 
Overall, I liked it way more than I thought I would. The writers kept the pace moving, the actors did great, and there was plenty of mystery and intrigue to go around. Although the look was nothing like the Oz I’d imagine, the Spanish scenery was certainly spectacular, as were the effects. Not a big fan of that much darkness, though: I have a feeling we’ll see little or no of Baum’s humor in this version.
 
There were also hints that there are more secrets behind Dorothy than even she knows, and I assume that’s going to come around again. I like that she was more like the book Dorothy: not only caring but imaginative, determined, and not willing to take crap.
 
Still not blonde. But I liked the actress too much to care.

 

My wife and I budget our television, since we have so many demands on our time such as writing, doctor appointments, playing with the dog and, oh yeah, working for a living.

 

As a result, we don’t take on too many new TV shows, even if they sound interesting, Generally we only start a new one if one we already watched gets canceled, as happens all too often. So far this year we’ve only checked out two new shows:

 

The Good Place. I will watch anything with Kristen Bell in it, even if she’s a singing cartoon character (which she was—wonderfully). I’m also a big fan of Ted Danson, so a show joining the two was worth checking out. Turns out it was worth checking out the worth checking out.

 

Bell is Eleanor, who finds herself in a—well, good place—after dying. The only problem is, something is horribly wrong—and it’s her. Eleanor is just a nasty person, who’s well aware she doesn’t deserve to be in paradise. She soon realizes that mistake is throwing her surroundings into chaos, so she sets out to improve herself, aided by her mistakenly assigned soul mate, Chidi (William Jackson Harper).

 

Danson plays Michael, who’s an angel, or something, assigned as architect of this little heaven of three hundred or so perfect people. It’s Michael’s first creation, and when things start going wrong he’s puzzled, then panicked. Turns out nobody can play panicked like Ted Danson, just as nobody can play nasty like Kirsten Bell.

 

I wasn’t sure how they’d manage to continue this concept, but after several episodes it’s getting better and better as we look into the past of all these perfect inhabitants, and realize none is so perfect, after all. In fact, I’m enjoying it so much I’m convinced it will soon be canceled. That’s been the fat of every star-centered show we’ve liked in recent years (for instance, Michael J. Fox and Robin Williams/Sarah Michelle Geller.)

 

Timeless. I’ve said before that I love a good time travel story. We’ve only seen a few episodes of this one, but they put a great twist in as the characters seek to prevent history from being irrevocably changed—and fail.

 

Temporarily, I assume. The story concerns a terrorist—or is he?—who steals a time machine and sets off to change the past. Naturally Homeland Security gets involved, assigning an historian, a soldier, and a scientist to go back and stop the bad guy. Abigail Spencer is great as the driven historian, who has exactly the same reaction I would to looking up and seeing the Hindenburg fly overhead.

 

The story’s fun, if heavy on the plot holes. I think when you’re talking time travel you have to dedicate yourself to the suspension of belief, or you’re stuck with the “why don’t they just send a different team back an hour earlier?” problem. It’s also just a bit too much on the serious side, but this show has Supernatural pedigree, so maybe that will change.

 

Overall I like the cast and setup, and the effects are good enough for a TV show, so we’ll see. After all, shows don’t get canceled before they have a chance to find their footing. Do they?

 

 

ozma914: mustache Firefly (mustache)
( Sep. 9th, 2016 11:46 pm)
One of my earliest memories was watching the Apollo Moon missions on TV.
 
One of my other earliest memories was hiding behind my mother from a frightening image on TV: a giant, alien, disembodied head. No, this was before Nixon. If you don’t know how those two could possibly be connected (besides an early indication that my generation watched too much TV) … then you don’t know Star Trek. (That episode, by the way, was “The Corbomite Maneuver”.)
 
Could it have really been fifty years ago? A whole half century since the single most influential entertainment show in television history debuted.
 
Yeah, that’s a big claim, but think about it. That weird space show with the bad special effects did more than spawn a bunch of movies and spin-offs. It influenced people who became astronauts themselves, as well as scientists of every stripe. It became a cultural phenomenon, to the extent that even people who hate science fiction recognize “Live long and prosper”, and “Beam me up, Scotty”. It went all the way from there down to a little kid who was inspired to write stories about space himself, and who now defines himself as a writer above almost all else.
 
Just to be clear, that would be me.
 
Lots of electronic ink is being spilled this week over the big five oh. Why did Star Trek become so huge? The simple answer is that it held one thing that so much futurism of the time didn’t: optimism. It posited a future universe in which we not only survived nuclear weapons, racial conflict, despots and election campaigns, we triumphed. We went out beyond our world together, as one race.
 
Can’t we all just get along? In Star Trek, we did. That was what it was about, not the rubber alien faces and over-emoting.
 
On a personal level, it led me not only to write stories myself, but to have my first fictional role model. I was a shy kid, suppressing my emotions, misunderstood—alien. The character of Spock spoke to me … I even had a blue long-sleeved shirt with an insignia on it that looked a lot like his uniform shirt.
 
The less said about my haircut at the time, the better … although it may help explain why I wasn’t the most popular kid.
 
As a teen, it seemed like I was in an exclusive club, maybe too exclusive—sometimes I thought I was the only Star Trek fan in the state. In a weird way, I was upset when it went from a canceled cult show to a franchise. It was like losing ownership. But now Star Trek belongs to the world, and after fifty years it’s still going strong.
 
That’s a good thing—the world needs all the optimism it can get.
 
Rick and Daryl have a velociraptor. Your argument is invalid.

.

Syndicate

RSS Atom

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags