Note: If you like happy endings ... you might not want to read to the end of this post.


In a previous blog I detailed my failed attempt to sell a novel to the romance industry's biggest book publisher. The synopsis: They liked my query, asked for the entire manuscript, then disappeared into a publishing black hole from which even emails couldn't escape.

I wish all my snynopsis were that easy. Snynopsis's? Synopsi?

I submitted to a specific line of books within the publisher, but that line's requirements have changed so much my story would no longer be a fit for them, anyway. So, I was free to submit Fire On Mist Creek to a different publisher.

Or to a different line within the same publisher.

No, I'm not insane, hear me out. First, here's the blurb I wrote for the story:


Thanks to insomnia, volunteer firefighter Alice Delaney is Night Watch for the little town of Mist Creek, Kentucky—the entire Night Watch, unless you count the firehouse dog. That’s a break for former Chicago firefighter Reed Carter, who she finds in a broken-down pickup truck near town. Soon after that he returns the favor, by helping her rescue the occupant of a burning house.

 

Both are on the run from their respective demons, but Reed may have found his salvation in the form of a little town in crisis, and a woman dealing with loss. Alice isn’t so sure: Newly promoted to Mist Creek Fire Captain, she’s dealing with a financial crunch and an arsonist. She’s not ready for a relationship with an action junkie who could be taken away from her. Not again.

 

 

I had to research firefighting, of course.

 

 

It's a work of staggering genius. Not the book, the blurb: I boiled that down from 60,000 words! Blurbs and synopsi ... sss, are the bane of book writers.

On a related note, the novel was 60,000 words. The Big Publisher had another line that would be absolutely perfect for this book, assuming they didn't change the line's requirements before I got it to them. There was only one small glitch: That line wants stories in the 70,000 word range. Maybe not exactly, but a 10,000 word difference is a deal killer.

Now, there are other publishers I could submit Fire On Mist Creek to. Still, I wanted to work with this publisher, I said stubbornly, in a rather whiny voice. But add 10,000 words to a story I thought was finished?

I found my answer in another dumb thing I did, which is where I find many of my answers. During the almost five years waiting to hear back after they requested my manuscript, I wrote other books. I wasn't just pacing in the back yard. Imagine all the dead grass.

 

Hundreds of books! Thousands of books! Okay, eleven.

 

 

Two of those books are set in that same small town, Mist Creek. Okay, one starts out elsewhere and ends up in Mist Creek. The point is, if I couldn't find a publisher that's interested in all the books, I may have wasted a lot of writing time.

But in my haste, I found the answer to my length problem. Many characters from Fire on Mist Creek show up in the other two novels, but a lot of characters from those two books didn't even exist when I wrote the first one.

And that's when I felt a great swell of inspiration, or maybe more stupidity.

If it's going to be a series, more of the people from the other books should be introduced in the first. In fact, it would be easy, because some of those later people are involved Mist Creek's emergency services. They'd naturally be around each other, anyway. In the other two books there's only one other new arrival; the other characters are already town residents.

Since the story is set before the others, I could put them in without having to refer to the other two books and confuse everyone. Sure, I'm confused, but if I could straighten myself out everyone else will be fine. Even as I mused over the idea, new scenes came to me that would enrich the story and also play into the main plot.

(Update, because I didn't post this right away: So that's what I did. The rewrite is finished, and the new story sent!)*

 

 

I have an office, and I'm ready to write! Once I find my laptop.

 

 

told you it's genius. It's such a great idea, I'm pretty sure aliens showed up one night and inserted it into my, um, body. That would explain the tiny piece of metal in my chest. Even if I end up with another publisher, the book will be better. Hold my beer, I'm writing!

(Okay, I don't drink beer, but leave my tea alone--it's still hot, just like my typing fingers.)


*Okay, here's the bad news. All this was in the past: I submitted the book to Harlequin Heartwarming on April 6. The Publisher Who I Just Named, aware of how long they strung me along last time, sent me on a response on May 16, a blistering speed for a traditional publisher.

It was a form rejection. So, we move on.


You can find the books that did somehow make it to publication here:

 

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914

·        Audible: https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

 

 

 

Remember, writers need all the support they can get.

 

  Some time ago, I was ghosted by one of the biggest publishers in the business.

Or maybe not. What do I know?

I submitted a romantic comedy novel to a publisher that has a name similar to one of Batman's villains. There, that won't give it away.

 

Some people differ on how author-friendly the publisher is, but ever since I started writing romance, I've wanted to write for them. That would be sometime in the early 90s. Before that I was writing science fiction and action/adventure, which I still am, and there I'm still having the same publishing luck.

But by then I had a track record of published novels. I also had a great story with a good title, "Fire On Mist Creek". Or a good story with a great title. I think it's a great title. Is it? It doesn't matter, because Harl--the publisher usually changes the name before publication, anyway.

(And they'd also change my name to a more feminine one, which I don't have a problem with. Maxine Hunter? No? Okay.)

I sent off a query letter, an outline, and the first few chapters of the story in--wait for it--2018. ("Wait for it" is practically the theme of this story.)

Just two months later, which is five hours in publishing time, an editor wrote back and requested a full manuscript! This is a Big Deal. The average traditional publisher receives so many queries that if they aren't occasionally rejected by the dump truck load, they collapse the building.

Then I heard nothing.

For years.

 

"And this is when I stopped hearing from them."

 

 

I sent a "nudge" a year later, and another one two years after that. Nudges are when desperate writers, who at this point want ANY news, gently ask for such news while groveling as much as possible. After the second nudge, I finally got a reply.

They'd lost my manuscript.

So they asked for it again, in early 2021, and I was happy to oblige. A little over a year later, I sent another nudge. And another. I don't feel like going back to count, but I sent several.

I went back to count: It was four. No one wants to annoy an editor, but I started including other people from that particular line, assistant editors and such. By the time I gave up, I'd shotgunned about six different people in my pleas, which had turned from "Like me!" into "At least put me out of my misery!"

When a writer is waiting to hear back on a book submission, the best thing they can do is work on another book. This I did, but there was a thriller-level twist: As I plotted it out, I realized it could easily fit into the Mist Creek world I'd developed. I a huge fan of series. Serieses. Seriez? Serii? Anyway, my Storm Chaser series is a series. That's why I call it a series. So I wove this one into the Mist Creek community.

Then, the next year, my wintertime depression was hitting me pretty good, so I decided to cheer myself up by writing a Christmas romance. Set in Mist Creek. So I did.

So now, with the first book having not sold, I have a series. Most romance publishers love a good series, but they prefer to approve the books individually.

By then I learned something that Harl--the publisher had done that rendered the entire question a moo point.

 

Maybe it's moot. Anyway, they had changed the requirements for that particular line. Not only did my manuscript no longer fit the description of what they wanted, but it was now 10,000 words too short. They were now also no longer accepting unagented submissions, which is what mine was.

So, I sent them--all of them--an email withdrawing my manuscript. It had been five years.

Was I ghosted? Was it some horrible mishap in which they changed their email provider and mine all got lost in the shuffle? Was it me being male, instead of female? Did I accidentally send my correspondence to a publisher in another dimension, and we'd gone out of phase?

Beats me, and boy, did I feel beaten. But, giving the benefit of the doubt, my withdrawal email was nice and polite, as I tried to keep all my emails. It pays to be nice, and maybe someday they'll answer it.

Besides ... they have other lines open for submission.




You can read our books, romantic or not, here:


·        Amazon:  
https://www.amazon.com/-/e/B0058CL6OO
·        Barnes & Noble:  
https://www.barnesandnoble.com/s/"Mark R Hunter"
·        Goodreads:  
https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
·        Blog: 
https://markrhunter.blogspot.com/
·        Website: 
http://www.markrhunter.com/
·        Instagram: 
https://www.instagram.com/ozma914/
·        Facebook: 
https://www.facebook.com/MarkRHunter914
·        Linkedin: 
https://www.linkedin.com/in/markrhunter/
·        Twitter: 
https://twitter.com/MarkRHunter
·        Youtube: 
https://www.youtube.com/@MarkRHunter
·        Substack:  
https://substack.com/@markrhunter
·        Tumblr:  
https://www.tumblr.com/ozma914
·        Smashwords:  
https://www.smashwords.com/profile/view/ozma914
·        Audible:  
https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

Remember, every time you buy a book from a local author, Big Publishing quakes in its leather-bound boots.

 

  Well, it's time for a look at how I did in publishing last year or, as I like to put it, it's Black February.

Back in 2023, in an attempt to prime the pump, so to speak, I invested some money in advertising. You have to spend money to make money, the experts say.

There's a British term for what the experts say: bollocks.

Okay, maybe not fair. In 2022, including the anthologies I have short stories in, we sold 539 copies. This is give or take: Sales numbers are guarded by the publishing industry the way I guard my hoard of chocolate.

In 2023, the year of the great advertising experiment, we racked up 624 sales, again including the anthologies. Great, right? Except I also racked up great expenditures, which Emily would have stopped if I hadn't been so obsessed with the numbers that I didn't think to talk it over with her. (She found out. Boy, did she find out, and by the way our couch is very comfortable.)

 

The chair's nice, too.

 

 

Ahem. Long story short, I spent $11 for every dollar the book sales earned.

This is not a sustainable business model, except in Washington, D.C., and they have 341 million investors.

 So in 2024 I worked on reducing our advertising costs, while not reducing book sales. This didn't work. According to my calculations, I did indeed manage to reduce advertising costs by 2,180 percent, but ....

Wait a minute. That can't be right. Let me hit the calculator again.

Okay, for every five dollars I spent in 2023, I spent 3 dollars in 2024. I really need to apologize to my math teacher for telling him I'd never use this stuff. Once, around 1990, I even needed algebra. Of course, I'd forgotten it.

 On the one hand, total sales from last year were 492, down from 539 copies in 2023. On the other hand, I no long have access to sales numbers for the two anthologies. (Long story.) If the same number of those were sold in both years, our total numbers for 2024 would be 651, a slight increase. Yay?

Except I still spent more than we took in last year.

 

Business takes a lot of the fun out of writing.

 

 

Our biggest seller for 2024 was Coming Attractions, including one copy that went to Australia, and one to the UK. This is partially due to a really weird spike in sales through Amazon, which reported it was from searches using the keyword "ebooks". That makes as much sense as my math skills.

The second biggest seller was Hoosier Hysterical, including one copy that went to Germany, followed by Storm Chaser and The No-Campfire Girls. That pretty much matches the year before.

Still following the numbers? Me, neither. Here's the upshot: For every book sold, I still spent four and a half dollars. That doesn't include internet costs, or the fact that we had to buy a new laptop.

But now I've cut way down on my advertising, which so far this year led to a corresponding decrease in sales. We'll see if the release of The Notorious Ian Grant makes a difference, since we didn't put out any new product in 2024 or, as I like to call it, Year 4: Decade Of Hell.

My original plan for 2025 was to sell at least 1,000 copies. I've changed that: now the plan is to make more money then I spend. Otherwise, I might as well just be a Congressman.

 


 

You can help pad my numbers by buying our books here:

 

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914

·        Audible:  https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

 

Remember: Sometimes the term “starving artist” is a little too close to literal.

 Well, I finally finished the first draft of Haunted Noble County, Indiana, which is all well and good, but would be better if the whole thing was done.

Especially after a year. A whole year.

I love researching, and I love history. I'm not a big fan of doing interviews, being what they used to call shy, and then antisocial, and now call introverted. (I'm sure there are differences between the three, but I don't like asking people.) Still, the interviewing hasn't taken as long as I thought, and the researching has taken way longer, so I can't complain.

What I can complain about are the numerous delays in the project that had nothing to do with the project. Don't get me started on Covid.

This is the face of Covid. It's pretty much the same as my tired face, except with a fever.

 

 

Anyway, my goal was to be finished by April, and it's now June. I still haven't added photos, or even captioned the photos. I don't have the project finished enough for Emily to go through and show me all the mistakes I've made. I haven't heard back from some of the people I reached out to, which is understandable because they probably haven't heard back from me since August of last year.

As a result, sadly, once again, I have no one to blame but myself. And Covid. Hey, the Chinese planned this whole pandemic to delay my writing career!

No? No, I guess not.

History! Photographed by John A. Harkless, who was responsible for many now-historical Albion photos.

This is the part where I apologize to everyone--and yes, I mean you--who I may have forgotten to get back in touch with in the past year. If anyone reads this who had a story, photograph or other information for me and may have gotten lost along the way, please contact me here, or on the book of faces, or wherever discerning patrons of history may haunt. Yes, I am trying to wrap it up, but there's still time to throw in more information.

On a related note, for anyone I have talked to, please let me know if it's okay to use your name in the book (if you haven't already said). If I made contact with someone but didn't get consent to use their name, they'll go down in Noble County history as "anonymous". After that, if you sign anything you have to remember how to spell anonymous, and no one wants that.

Finally, yes, the project has been pushed back, almost certainly until next year. The traditional publishing industry is a lot of things, some good and some bad, but above all else the wheels grind slowly.

The original Ligonier City Jail. Very cool, especially if you got stuck there during winter.


Remember: Ghost are always looking for new books to read over your shoulder.

 

Book reviews are incredibly important to authors. They give a sense of legitimacy, serve as free advertising, guide other readers to their works, and give them a better chance to have their story visible on certain book seller sites. Storm Chaser, for instance, had 28 ratings and 15 written reviews on Goodreads.

But since being re-released, Storm Chaser is down to only 7 ratings and 3 written reviews on Amazon, which is why I begged people who previously reviewed it to post their reviews again. From what I've heard, about 50 reviews are needed to trigger Amazon's mystical logarithms and increase traffic to your book.

(Plus it just got its first bad review, which dropped the average rating considerably.)

 

"If each of these came with a review, I'd have ... well, more reviews!"

 

 

It's hardly surprising, then, that some people resort to paying for reviews. If everyone who read a book would review it--even just pop in with an "I liked it"--it would be no problem, but most readers don't take the time. It's easy, on the other hand, to find people willing to review your book in exchange for money.

Unethical, maybe illegal in some cases, but easy.

Not only is it considered a form of cheating, but it would violate the terms of service for the big book seller site, Amazon. You do not want to be kicked off Amazon.

Some people even consider it in poor form to ask for free reviews, but most authors do it. They're not thrilled about it, any more than they're thrilled about doing promotion and publicity, but with over two million new books coming out every year, it's hard to avoid getting desperate.

 

 

Does this screenshot from a TV interview count as promotion? Yes. Yes, it does.

 

 

 When a group of people get desperate ... the scammers come out.

Awhile back I got this e-mail from "German W. Woo":

 

As of this writing, I am the only person offering GUARANTEED reviews for Amazon. If you are looking for more reviews for your book, please don't hesitate to contact me.

Freebie seekers can kiss my a** and lick it wet before I consider offering them a free review. In short, if you don't have money to spend, don't contact me and waste my time; rather, keep begging and struggling for reviews on Goodreads and Facebook as usual!


Goodness. Someone took their nasty pills. A day later I got this e-mail, from "Allison S. Cummins":


As of this writing, I am the only person offering GUARANTEED reviews for Amazon. If you are looking for more reviews for your book, please don't hesitate to contact me.

Friendly note to: Review beggars - Either have some respect for yourself and your book and learn to value and PAY for the time of reviewers as well, or please take a walk. We haven't opened a charity foundation here; this is a FOR-PROFIT business! I am sure you don't work for free in your professional life, so don't expect anyone else to work for free for you either!


Wait ... what's wrong with this picture? Let's take a look at another e-mail, from "Marion J. Jenkins":


As of this writing, I am the only person offering GUARANTEED reviews for Amazon. If you are looking for more reviews for your book, please don't hesitate to contact me. Don't want these emails? Then FU*K OFF from Goodreads and Facebook.


Not exactly friendly customer service. But wait ... each of them are the only people offering GUARANTEED reviews for Amazon? I thought anyone could post an Amazon review. Now here are three only ones. Shouldn't there only be one ... only one?

 

 

 

Also, aren't they being just a bit rude, for someone supposedly offering a service? They're not the government. Are they?

Well, scammers gotta scam, a**holes gotta ... um ... a**. It didn't concern me all that much until I got this message on my Goodreads account:

 

Mark, SWINE HOPE YOUR FAMILY DIES THIS NEW YEAR AND SALES OF YOUR PATHETIC BOOK BECOMES ZERO. BUY BOOK REVIEWS OR GET OUT OF GOODREADS ASAP. IF YOU DON'T, I WILL TELL ALL OF MY FRIENDS TO BUY AND REFUND YOUR BOOK ON AMAZON SO YOUR SALES RANK TANKS. YOU CAN'T PROMOTE YOUR BOOKS HERE WITHOUT PAYING ME. WE KNOW YOUR ADDRESS TOO -WILL SEND CRIMINALS AND THIEVES THERE SO YOUR NEW YEAR CELEBRATION IS SPOILED HAHA

 

 That was from Grace, who yelled the same message 39 times. I doubt very much that she has friends. Also, aren't thieves automatically criminals, except in Congress? Ironically, scammers don't seem to edit their threats. They also didn't count the number of guns (not to mention swords) in my house.

Wendall sent this one five times:


WE HAVE A COPY OF Hoosier Hysterical, WHICH WE WILL UPLOAD TO TPB, readfrom.net AND OTHER PIRATE SITES, IF YOU KEEP ON SPAMMING OUR GOODREADS SITE. ONLY WAY TO STOP US IS TO STOP ASKING FOR BOOK REVIEWS HERE PERMANENTLY. QUIT SPAMMING THIS SITE IF WE DON'T WANT US TO TAKE AFORESAID ACTIONS; YOUR LAWS CAN'T HARM US. DECIDE FAST


My first reaction was, "Yay, they bought a copy of Hoosier Hysterical!" My second was to laugh at someone who sent the same five messages, accusing me of spamming them.

So I decided fast, and my decision was f**k you.

I will not pay anyone for book reviews, let alone scumbag spammers like this. The closest I'll ever come to it is giving out advanced review copies, which is an accepted practice--but no money will go from me toward a review. Especially to an idiot.

 If you support my decision ... then please. leave a book review.

 

Remember these guys? It's the Santa Mafia, and they're watching you.



 

Remember: Every book review is like Heavenly music sprinkled with chocolate.

 


 
     
   
           
                               

 

 I want to apologize again for how slow I've been with the Haunted Noble County, Indiana  project. I've collected most of the photos and written half the manuscript, but haven't been getting back to people about their individual tales as I should.

It's the same old story, to an extent: injuries, sickness, death, Covid, chores I couldn't put off. Basically everything except writer's block, and at least that hasn't been a problem. In addition, I hadn't anticipated how much time all the research would take. I've done this before, with Images of America: Albion and Noble County. But while history research gets time consuming, extra digging is required when it comes to the supernatural.

Not literally. Well, not usually.

 

There's also the fact that I'm an introvert, or suffer from social anxiety, or whatever the kids are calling it these days. Among other things, I hate talking on the phone. Do you know what I do for a living?


 

Yeah, I talk on the phone and radio for 12 hours a day. For thirty years.

I know what you're thinking: Why does someone who hates talking do it for a living?

It's because I used to work in factories, and also in the service industry. That's why.

I get off my night shift not only tired, but seriously stressed (which is not uncommon for dispatchers, overall). The last thing I want to do is talk on the phone, or be otherwise social. Between that and my weird schedule, I have real difficulty picking up the phone.

That's the long winded reason why I'm so far behind in calling people about this project. It's also why I much prefer talking about it by e-mail or messenger, and have difficulty finding a time to talk when either I or the other person isn't asleep.

So ... I'm sorry. My deadline is looming, so I'm back on the horse and working, and I will call the people I promised to. I hope the rest of you will contact me online, especially if I forgot about you, which after so many months is possible. I want to make this as good a book as I can, but man--it's been a slog. And that's not the fault of the material!

 


 

It's possible I won't have time to track down all the details, or include all the stories, especially if the details are nebulous. I mean, the photo above is pretty spooky, but there's no actual supernatural event behind it! But I'll do my best.

 


 

Remember: Keep plenty of books around for ghosts to throw off the shelves.

An interesting thing about the publishing industry is that it takes great pains to make sure an author never knows how many books he's selling.

Meanwhile, at certain points in the process, that's the only thing authors want to know.

Actually, the traditional publishers I've worked with have been good about giving me sales reports--every three or six months. But it can be hard to read their reports, in the same way it can be hard for the janitor at a college to understand a blackboard full of physics equations. Well, maybe they can sometimes. A better example would be someone giving me the full schematics on how to wire an electrical system into a house, then expecting me to actually do it.

"Gee, he seemed smart enough to manage. I'm gonna miss him."

When it comes to places that sell your work, such as Barnes and Noble or the elephant in the room, Amazon ... good luck. Most of my books are independently published, so there is no publisher trying to keep track of my sales. You'd think the bookselling websites would do that, but ... well, you'd think more people would read, too.

 

Maybe I could sell them like donuts. "I'll take a white one, and a blue one, and ...."

 

 

I'm telling you all this to explain why, while I've come up with an estimate of my 2023 sales, I have no idea how accurate it is.

Fairly accurate. I think. Within reason.

So, in 2023 we sold 624 books. I think. 482 were e-books, and 142 were print copies. (In 2022 I actually sold a hardcover copy of Images of America: Albion and Noble County. I mention that because, before then, I didn't think you even could buy hardcover copies of our books.)

Our 2022 total was 539 sales, so we're up by 85 books. It's a good number, considering we haven't done an author appearance since the beginning of Covid. Now that I've actually had Covid, I'm not thrilled about going out into crowds in the immediate future, either.

Our best sellers:

151 copies of Coming Attractions.

145 copies of Hoosier Hysterical: How the West Became the Midwest Without Moving At All.

104 copies of Storm Chaser (which was re-released with some fanfare early in the year).

51 copies of The No-Campfire Girls.

The other books were, shall we say, not great sellers. All sold at least a few copies except for Slightly Off the Mark: The Unpublished Columns, which has the disadvantages of having been out for several years, and of being a humor book by someone who isn't already famous.

 

 

"Dude, these are stale."
 

 

 

Still, good money, right?

Well ...

I also experimented with advertising all last year. Online ads did indeed increase our sales, but they didn't lead to a profit. For every dollar in gross sales we made, I spent about two dollars. ("I" because Emily wasn't involved in that pile of commercial misfortune.)

But wait--there's more. Depending on how they were published and where they were bought, our profit was between 60% and 6% of each book sold. The 60% ones were the books Emily slaved and sweated over.

Do that math, and for every dollar we made, I spent five dollars in advertising and promotion.

This is fine for a hobby. I could collect toy trains, or fix up antiques, or bend my elbow at the bar every night, for a similar amount of money. It is not, however, what anyone would call a sustainable business model. It's more like trying to sell your product by screaming out the brand name as you leap off a cliff.

 

"Losing the house is no big deal, I can write in the car."

 

 

So, I have two goals when it comes to selling books in 2024. One is to sell a thousand copies of our various books in the space of one year. There are a couple of years when I may have done that, but I'm too lazy to go back and do more math--I'd rather think of it as a new obtainable goal.

My second goal is to do that while making more money than we spend. I don't know ... maybe my goal should be to sell the same number as last year, but without taking a loss. Many authors manage to do this.

Not many manage to make a living at it, but if I wanted an easy job I'd be a physics professor.

Remember: Every time you buy a book, an author can buy a cup of coffee to keep him awake while he's writing his next book.

ozma914: (Dorothy and the Wizard)
( Nov. 24th, 2023 06:36 pm)

 It's a rough time to find things to be thankful for. Oh, they're there: family, health ... okay, family. But our society today is geared toward stressing the bad, and taking the good for granted. It's human nature to complain; most of us do it. Right now, someone is complaining because I just used a semicolon. But I have a wife who gets me, grand-kids, a case of Mountain Dew in the kitchen, and I'm pretty sure there's chocolate around here, somewhere.

And my writing, which at various times in my life is the only thing that kept me sane. The following is an update to a blog I wrote way back in 2015. I wanted to let you know that in case anyone remembered it ... although it seems unlikely, after eight years of what the last eight years have been like.


On this Thanksgiving (this is Thanksgiving weekend, by the way, but all you turkeys already know that), I’d like to say how thankful I am for my dislike of self-promotion.
I’ve spent a lot of time writing press releases, blogging, signing books, and basically bragging about how I’m such a good writer that you should spend your time and money on me. It’s not in my nature. But then, neither is working, and I have to do that, too.
My first book came out in 2011. Now I have eleven published, with my name in three others, and a handful of published short stories.
 When I first queried a publisher for a book length project I was eighteen—that was five years after my first "finished" novel. Please don't do the math on this, but it took me over thirty years to get a novel published.
But I did get published, and that’s something to be thankful for (among many other things). I may be struggling to make more sales, but I’m published—and a lot of writers don't make it that far. To show how thankful I am … I’m going to work hard to get more published. An unpublished book or short story should never rest on a writer’s desk (or hard drive) for long.
And I'm going to keep up my efforts to spread the word about our books (let's face it, half of them would never have been published without Emily. More than half.) For me, that's way more work than the actual writing.
But I'm thankful to be doing it.

 

http://media-cache-ec0.pinimg.com/736x/f4/96/b8/f496b80c089f9c153efeac1b1a475620.jpg



Remember to be thankful ... and also to read something fun.

 

I was interviewed Friday by Eric Olson of Fort Wayne's 21Alive News (He's the 21Country Reporter), and he says it will come out this Wednesday, October 25th. Now, I don't know if that means morning, noon, evening news, 2 a.m news break ... or if some horrific thing will cause it to be rescheduled. Eric doesn't think so, but the last time he interviewed me it didn't air on the scheduled date. Fingers crossed! Here's some info about him:

https://www.21alivenews.com/authors/EricOlson/
 

This is the third interview he's done with me, and the fourth TV interview I've ever done. This time it was not about our books, but our book to be: Haunted Noble County, Indiana. I'll put up a link to the interview when it goes up online. As for how it went, I have confidence in Eric's ability to edit out my throat clearings and verbal face plants.


He interviewed me at home, and also took some video footage at Albion's Rose Hill Cemetery, which I told him has some history of hauntings, and the Old Noble County Jail Museum, which I told him looks like it should, but doesn't.

The above photo shows him in action at the cemetery, while the below photo gives us a glimpse of the Old Jail as taken from the cemetery. 

We cleaned up the office for this. Seriously, check this out:

 

This is where Emily's editing/cover design/formatting/correcting my screw-ups happens.

And this is where I do a lot of my research work, although the actual writing often happens on the living room couch. The wallpaper pre-dates my ownership of the house. (So does the carpet.)

    

 

Remember, whenever you don't buy a book, a stack of manuscripts start to build up on writing desks. Save our sanity.

 

 A few thoughts on our upcoming book project, which is tentatively titled Spooky Noble County, or: Hoosier Ya' Gonna Call?

(Kidding! I'm just calling it Haunted Noble County, although History Press may have something to say about that.)

I'll probably cut down to posting one blog a week, for now. I post based on my work schedule, which amounted to one on the weekend, one the next Wednesday or so, one the next Monday or so; repeat. Luckily I have some good blogs already written and waiting, along with some bad blogs. That'll give me more time for research and writing, plus in September I'll be on vacation, which will make things complicated.

I just realized I'm doing vacations wrong: They're supposed to be less complicated.

This is what a less complicated vacation looks like.

Emily and I want to tour around Noble County, looking for spooky/haunted things/places to take pictures of. If a ghost shows up, that's just gravy.

By the way, I knew about Spook Hill, although I haven't been there for many years; I also knew about Sand Hill, which is the second highest hill in Indiana. What I didn't know is that the Spook Hill Cemetery (that's not its real name) is actually ON Sand Hill.

Emily wanted to know who determined these things. Did they count the Indiana Dunes? How about Brown County? I assured her surveyors have pretty good rulers, although climbing up three feet at a time can be a pain.

Anyway, we'll use two cameras: The newer one, called the Blue Camera, has better pixel thingies, for photos so sharp you'll need bandages. The older one, called the Black Camera, can switch from automatic to manual for more creative photography.

The black camera looks something like this one. You know: black.

 

Sadly, I had neither with me when I spotted what I thought would be perfect for a book cover:

 

 


 

Isn't it cool? I KNOW! But it was an off the cuff picture snapped with my cell phone, and cuff photos often don't cut it. So every time there's a storm forecast I'm going to stand in the same spot with the blue camera (it's waterproof) and wait for my chance. Or maybe I'll get lucky and someone will donate an historical photo that's better.

Meanwhile I have a list of people to talk to now, and tales of haunted places around the county I didn't know about. I intend to do the bulk of the interviewing and researching in September ... we'll see. But I have deadlines now, so I can't slack off.

I mean, I can ... but Emily recently bought a whip, and the more she practices, the more nervous I get.


By the way, while this process is going on you're all welcome to check out our previous historical books, or humor books, or fiction, or, by gosh, anything else you want, 'cause this is America! Remember, writers live on reviews, purchases, and coffee ... and I don't drink coffee, so don't let me metaphorically starve.

 

 



 I feel a little guilty for not posting about this since June, but it's now official: I have a contract to produce, for The History Press, a book titled something like Haunted Noble County. Probably with an "Indiana" added because, it turns out, there are more Noble Counties.

(I'm looking at you, Ohio and Oklahoma. I mean, did you have both a Governor Noble and a Congressman Noble? That's right--busted.)

My original title was Noble Dead Rise: Haunted Hoosiers Horrified! But the publisher talked me out of it, by saying no. The History Press is part of Arcadia Publishing, and you might remember I already wrote a book with them:

Also Indiana! Don't let Ohio steal this from me.

 

Anyway, the original balloon I floated was in this blog:

https://markrhunter.blogspot.com/2023/05/looking-for-local-ghost-stories.html

 

Immediately after posting that, I vanished. Like a ghost.

Actually, we had the summer of hell, which says a lot considering I usually love summer. I don't want to belabor it, because I don't know what belabor means, but it's been an overall horrible year for a lot of people. It derailed both me and Emily, who's an indispensable part of these projects due to my general incompetence. But in a few weeks her job will revert to weekends only and I'll be taking a little time off, so we're about ready to get rolling.

My acquisitions editor even said I could add a little humor to the book, something he may come to regret.

 

I do humor! I also drink tea.
 

 

I'll get back in touch with the people who've already contacted me, and of course I'd love to hear from anyone who has a ghost/spirit/haunted/weird story or place about Noble County (Indiana!) Photos, too, would be appreciated, especially historical ones. I've also cleaned up our good camera and we're going to be going around the county (Indiana!) to get pictures of everything from haunts and historic sites to cemeteries and--well, an actual picture of a ghost would be cool.

If you have a suggestion, make sure it's not in Ohio or Oklahoma. I like to travel, but come on.

Sometimes it's all about the lighting, am I right? The courthouse in Ohio is boring!

As I said earlier, in general I like to communicate through e-mail or various internet messages, only because I spend most days asleep and lots of nights awake. Just the same: phone, in person, ecto-plasmic telepathy, whatever--we want to hear stories. In the list of links at the bottom of this blog are several sites I can be contacted through. I do NOT want to hear the TV say "They're heeeeerrrrreeeee ...." so stay out of the satellite feeds.

 

 

Remember, if you don't support writers they attract more and more social media sites, and are soon so busy checking them they don't have time to write. Not that it would happen to me. Nope.

 

 One of the reasons I'm struggling a bit with my new writing project is that I usually start with a plot, then find characters to fit into the story. This has drawbacks, the biggest being that as I create my characters, they sometimes become so real to me that they start saying things I don't want to hear:

"Yeah, I know you plan for this to happen, then that to happen--but I just wouldn't do those things."

You're just a character, do what I tell you.

"Fine. That'll be my voice in the back of your mind--and you ain't heard nagging yet."

 

Don't even get me started on Beth Hamlin.

 

 

Stupid characters. But they're usually right, and I've been known to make changes accordingly. Just the same, I start out with a plot, and the major plot points usually stay the same, as does the ending.

This time out I started with great characters: a group of firefighters on a fictional department somewhere in the Midwest. I had a great setting, background on all of the above, and even some scenes already playing in my mind.

But no plot.

I did have a general arc going on in the background, but mostly the story was about the day to day lives of my characters, and the challenges they faced on the job. It was episodic, like a series of short stories put together, or a TV show about firefighters, of which there are many. My favorite remains "Emergency!", which is indeed put together that way. Season long plot arcs would have been laughed at, back then.

 

Can I find new story ideas from personal experience? Yes. Yes, I can.

 

 

But I want a plot. I'm a plot guy.

And here's the thing: I have identified a plot idea, but it's deadly serious, tragic, and very "ripped from the headlines". If you know my writing, you know I generally keep to light escapism, and my characters are all set to have a lot of fun in their life and death careers.

I'm not asking for a solution, mind you (although if you want to offer one, hey!) I'm only complaining because talking out loud helps me resolve these dilemmas. It seems to be working: Even as I write this I realize the Big Bad event I've contemplated would set things up for future books in a series, if that should happen.

And those future plot ideas I have come up with; all I need is an opening.

 

 

(Remember: Every time you buy a book, a writer's career could blow up. Not literally. Well, maybe in my case.)

 

 

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 

Like many writers, I like it when people read my stuff. I like it even more when they buy my stuff, because that gets me one step closer to retiring to the life of Gentleman Author.

(There used to be a thing called Gentleman Farmer. I suspect that means sitting on your front porch while someone else does the actual work.)

My goal, coming into 2022, was to sell an average of one book a day. It doesn't seem like much: Just 365 books in a year. But according to the experts, the average book sells a grand total of 300-500 books, depending on circumstances such as whether they're self or traditionally published. It takes only 3,000 sales to get on the Wall Street Journal best-seller list, if that gives you an idea. And yet, according to my research, over eight billion new books are published every year.

I might be a little off on that number. But it's a lot. (The actual number is estimated to be between 2-4 million a year.)

 

 

That average of a book a day seemed like a good goal, and I succeeded. But that's not the whole story. I have four books on Amazon Ads, which takes a great deal of work to balance out sales and costs, and in that I did not succeed. In other words, I spent more money than I made. Anyone will tell you that's not a sustainable business model, unless you're the government.

The other thing is that it's hard for an author to tell how many copies they've actually sold. Confusing authors seems to be a dearly loved tradition in the publishing industry. I spent quite some time totaling mine up, and in the end I came up with 539 sales in 2022.

But.

First, that's not the final number, because I still haven't gotten quarterly and biannual royalty reports from a few of my publishers.

 

 

 Second, while that's pretty good for one book, my sales were divided over eleven books. My biggest single seller was the romantic comedy Coming Attractions. Some of those weren't sales at all, but a giveaway over the holidays.

My second biggest seller was the humorous history book Hoosier Hysterical: How the West Became the Midwest Without Moving At All. Everybody seems to love this book, and that came as a surprise because, although I have three history books, I consider myself more of a fiction writer.

But now I'm wondering if I shouldn't write something else of the same nature. Humor, history, trivia ... but about what? Hopefully something that gives me an excuse to travel around, like Hoosier Hysterical did.

 


So, what's my next goal? I figure that should be to sell at least one book every day. That's not the same: Yes, I sold over 500 in 2022, but some days I'd sell ten or twelve, and other days none at all. Due to illness and injury we didn't get Storm Chaser and The Notorious Ian Grant reissued as planned, so when they come back out at a lower price that should help, some. Meanwhile, I've got other books to sell, write, and dazzle agents and publishers with, so the work continues. (I submitted to agents, publishers, and fiction magazines 375 times in 2022.)

 

Oh, you didn't know the writing business was work? Well, there you go.

 

You can find the aforementioned books here:

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

Remember: Every time you don't buy a book, the Plain States get another blizzard. Spare the plows.

 

You won't hear much from me in November, although my regular blogs will continue with stuff already written and saved. Why? I've decided to once again compete in National Novel Writing Month, with the intention of losing.

It's a throwback to my high school days in Physical Education class, something I excelled in losing ... in. I did become adept at finding hiding places around the gym. Under the bleachers was always popular with us nerd types.

National Novel Writing Month, shortened to NaNoWriMo to save typing fingers, has its own official website. My account is here: https://nanowrimo.org/participants/mark-r-hunter. Guess I'd better update it. The idea is to write an entire novel--or at least, 50,000 words of it--in one short month, which happens to be November. Why November?

Why not?

It's not the best month, what with American holidays and all. I would have picked January. What else is there to do in January? Go outside? Ha.

A bigger question: Why do it at all?

Some writers start that Great American Novel, but never finish. Maybe they peter out because they don't manage their time well, or get sidetracked. Maybe they're the type who edit so obsessively they never finish that first chapter, page, or, in extreme cases, sentence. They go over it again and again, and in the end ... don't end.

But the first draft is allowed to suck. Nobody else has to see it, ever. NaNoWriMo is designed to be that butt kick that forces writers to forge through and finish their first draft. They don't have time to edit: To make fifty thousand words in thirty days they have to write almost 1,700 words a day! Go to it, get that first draft done, and edit later.

My own writing habit is to sit down and go over what I wrote last time, to get me back into the groove, and I do usually edit then. Just the same, I've won NaNoWriMo three times: With Summer Jobs Are Murder (formerly Red Is For Ick, and don't I regret that), Fire On Mist Creek, and The Source Emerald. Since then all three of those novels have been edited, polished, and are trapped in submission hell.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-oajk-SPxP-utUE835cmjlBQQLAvJxw3jgNosrPAZI-9syoQFs1lNhk56R9iGFKaJhgcKmw805ic90H8p6Ww7DtWQJAeAV8b1HX9Wqx_xFJE1OzdLvuZiQu1qPDyXGgIMbme6mik3UcvQvnMkWUF2UBchuEyYzYfhtAM_nPUojacfxSOOBJcegiO6yQ/s595/rewrite.png


(No, I don't think my NaNo projects are cursed.)

So, I'll stick to the habits that worked with me in the past. As a result, I'll consider myself lucky to get 40,000 words done, but I know from experience that once I get that far, I'll be able to power though and finish--maybe in January. And honestly, any writer who takes their shot, works hard, and emerges with something to show for it, wins NaNoWriMo no matter how many words they get in..

What's my new book about? It's a holiday-themed romantic comedy: Christmas on Mist Creek.

Yes, that's right: I'm writing a sequel to a book that hasn't even been published yet.



 Find our books at:

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 

https://3.bp.blogspot.com/-ECwVrhY0oWE/WfWDs4g6b0I/AAAAAAAADcQ/cPc-oL9sTQoBITtXFKOpXpGFsu_8EUaRQCLcBGAs/s1600/MarkWritesInCar.jpgSometimes you have to write wherever you can.

                               

 

Remember, every time you pass on a book, a typesetter loses his case. Don’t cause all-caps.

 I sent the newsletter out last week, and just now realized it was about ... pumpkins and puppies. That wasn't intentional, but what the heck! Not much new to report in the writing world, so I opted for cuteness. Can you really blame me?

 https://mailchi.mp/8aadc24d2fd8/what-i-didnt-do-on-my-summer-vacation?e=2b1e842057

 Here's one of the pumpkins, but you'll have to go to the newsletter to see the puppies.

 


 Remember, every time you don't buy a book, Jack goes looking for a new body. Don't lose your head over that.

 

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 

 I'm continually surprised that editors and agents in the publishing industry expect novelists to write short stuff, like query letters, outlines, and synopsis ... synopsis's ... synopsi? Just a sec.

(Huh. It's synopses. Who knew?)

Asking a novelist to write short is like asking a politician to spend less money; asking the Wicked Witch to be less cackle, um, cackle-y; asking me to skip dessert. My novel manuscripts tend to be short, but that doesn't make me freak out any less when I have to reduce it to a 1,000 word synopsis. My latest manuscript is 82,000 words: It's like taking a full size pickup truck and reducing it to Matchbox size with your bare hands.

Hey, I have this one! Wouldn't want to build the real thing from scratch.

Now imagine someone trying to write a synopsis for one of George R.R. Martin's Song of Ice and Fire books, which are so big they're registered as lethal weapons. Seriously, even putting it on your Kindle adds two pounds. When I tried to read the newest one on the couch, I broke my hip. And the couch. Of course, no one would ask him to write a synopsis. In fact, he probably has an assistant that does nothing but write synopses ... seses ....

In theory the best way to write a synopsis is to write one paragraph for each chapter, then trim where necessary, as if it isn't going to be necessary. I tried other tactics. For instance, removing every "the"; putting into the synopsis only the third and fifteenth word of every page; and hiring George R.R. Martin's synopsis writer. None worked. (You wouldn't believe what that guy charges.)

So I looked the manuscript over again. While Martin's books are high fantasy, my newest story is apparently low fantasy, and yes, I'm aware of the possible jokes. That means it's set in our real world, but magical elements intrude into it; the best known example would probably by the Harry Potter series.

 

How low can you go? Well, you could have an entire school full of kids who could turn their parents into warthogs, for instance.

 

 

My story, The Source Emerald, is about a young FBI agent on her first assignment, who tries to track down possible gem smugglers in upstate New York. Magic ... intrudes.

All I had to do is boil down her personality, the plot, the stakes, and the major supporting characters into 800-1000 words, or less than two pages. Or shorter, depending on who you ask. Oh, and in your own unique voice ... with plot twists ... and the ending ... I'm going to go lay down, now.

Okay, I'm back. Almost all authors hate writing a synopsis, and those who like it almost always turn out to be heavily addicted to something and/or certifiably insane. I don't have the exact statistics on that. All I know is that on my first whack at it, I spent half a page describing why my main character, Lilly, absolutely doesn't believe the little girl she encounters is Dorothy Gale, made famous in the Oz books. I had to reduce that to, like, four words.

"Dorothy is brunette, and a teenager, and not a princess, and it was all a dream, anyway. Stop pulling my leg--I've seen the movie."

In the final version the whole thing boiled down to: "Lilly doubts Dorothy's story."

It took me three days to come up with that sentence.

In reality I got the whole synopsis done in "just" a few days, not counting my nightmares of being chased by an editor with a sharp red pen. My first version was about 3,500 words, which really wasn't too shabby. My second was around 1,500--I was slashing words like a horror movie villain.

And then--finally--920 beautiful, short, on-point words. That's it. If you want a shorter synopsis from me, I'll just cut from the bottom and you'll never know the ending, pal! (Or lady, since most of the agents and editors I've queried have been female.)

But I did it. I'm relieved, and proud, and surprised, but mostly relieved.

Now I have to write a query letter.

Hm ... or maybe I should tackle a short story. What do you think?

 

 

 

With the dog and I both sick and the weather a study in hell, I haven't felt like going outside. The last time this happened, I spent a few days doing internet searches for:

Antique fire trucks, natural cliff climbing spots near Chicago, Harlequin Great Dane dogs, climbing and rappelling gear, highway cuts, dog lift harnesses, the most common Louisiana surnames, antique car restoration, and first names for men and women.

https://i.pinimg.com/736x/3c/92/b7/3c92b75b49d2b63018b3948f9b47657f--harlequin-great-danes-huge-dogs.jpg
I do my research with dogged determination.

 

Either the infection reached my brain, or it was time for another novel research session.

Not that I don't have plenty of other work to do, in submitting, editing, and promoting other book projects. Oh, and my day job, which is at night. But when it comes to submitting, there's a certain amount of waiting involved, anyway. So I came up with an idea for a new story, and sometimes a writer just wants to kick back and do the fun stuff, which for me is researching, creating characters, and writing that first draft. I mean, fun when it's not frustrating.

At least I won't get as much Federal attention as when I started work on The Source Emerald, and researched such things as the FBI, jewel smuggling, cross country travel routes, and types of handguns.

So ... what kind of story should I research for next?

When I started writing the Storm Chaser books, I did so much weather research I should have earned a meteorology degree.

 

 

 Let me tell you all a story of improper editing, and how I left a path of scorched earth behind me that no army could hope to replicate.

The worst part is: It's all my fault. Try as I might, I can't blame anyone else, an idea that sets people (especially politicians and mid-level management) quaking in fear.

But you can learn from my fate, if you're a writer. Or even if you're not.

While a literary agent isn't an absolute requirement to be traditionally published, they can open doors and otherwise be a great help to an author's career. What agents want in their submission packages varies, as I've mentioned before. Generally they ask for a query letter, an author bio, the opening pages of your book (anywhere from five pages to several chapters), and a synopsis.

Writers hate the synopsis. You have to boil your (in this case) 82,000 word novel down into just a couple of pages, which should reveal all your major characters, plot, setting, and ending. That's all. How hard could it be?

For most writers, it's pretty hard.

I suppose Beowulf wonders why I keep taking photos of him while I'm writing. It's because he DISTRACTS ME.

Okay, so I had an outline for We Love Trouble, but it was too long to serve as a typical synopsis. After months of writing, revising, editing, and polishing the manuscript, I had to carve that outline down even more. I was exhausted. But the job wasn't over, so I by-gosh carved out that synopsis, finishing when it was so late even the dog was asleep.

The next day, confident I had everything ready, I started submitting.

Now, most literary agents accept simultaneous submissions. That is to say, they don't mind if you submit to more than one at a time. Most publishers have a problem with that: They want to be the only publisher that can see your manuscript for several months before they send you a form rejection letter. That becomes an incredibly stressful waiting game for writers.

Just the same, a good author-agent relationship is vital, so I carefully select which agents I'm going to query. The synopsis stays the same, of course. Imagine writing a new synopsis every time! Since I do the extra research, over the course of two weeks I only submitted to fourteen agents. They were ones I thought would make for a good fit.

Then I went on to other things: Writing, editing, submitting short stories, occasionally sleeping. Replies began to trickle in, all but one of them form rejections. It appeared that my careful targeting impressed no one.

A couple of months later I got time to send more submissions. I skimmed over my materials, just to make sure I didn't want to change anything. That's when I discovered I had whittled my outline down to a synopsis ...

But I didn't check that synopsis for errors.



"Oh, that? It's the dumpster fire that used to be my writing career. Move along."

I sent it on rife with typos, misplaced words, and ... well, no spelling errors, but otherwise it was a trian wrack. Just like that, my two weeks of submitting was cleared away like a tornado sucking up a trailer park. If those agents remember me at all, it will be with the kind of dislike people reserve for drivers who cut them off in traffic. No one's perfect, but this wasn't one error: This was as if FDR started off his famous Pearl Harbor speech by getting the date wrong.

"December 6th, 1942 ... a date that will ... no, wait ...."

Since corrected, of course, but that doesn't get those agents back on my possibilities list. E-mail addresses can be whitelisted to allow them through--mine has been blacklisted. I can only hope they aren't swapping stories about me at agent conventions.

Learn from my fate. Edit. Polish. But for crying out loud, if you have to revise, go back and polish again. Some people will tell you too much time can be spent on editing, but I'm living proof that the opposite is also true.

Ah, well ... I'm sure I'll laugh about this someday.

No. No, I won't.

Now that I've finished the final draft of my new novel and handed it over to Emily to edit, I had to go back and figure out why I started working on it in the first place.

Ordinarily, when I finish writing a novel I like to have it finished--as good and polished as I can get it, before I move on to a new project. I also want to have it in circulation: submitted to literary agents and/or publishers, depending on the way I'm going.

That's where I have Fire On Mist Creek, Beowulf: In Harm's Way, and We Love Trouble, searching for attention in the cold, cruel world.  Smoke Showing is our upcoming non-fiction book, and it doesn't count because it was waiting for Emily's contribution when her work schedule lightened up in the fall. (Then I put her to work editing something else, so never mind.)

(I came up with all these titles; can you tell?)

So, four books I should be either self-publishing or submitting for traditionally publication. Then there's The Source Emerald, which Emily sent me notes on, and as a result now waits for another look. (The book, not Emily.) Add to that our already-published books, which are begging for some promotion and publicity time.

So when I finished the rough draft of "Found Dog Antique Fire Truck Romance Story" (still blocked on a title), it suddenly occurred to me: Why did I start a new book in the first place?

There's an antique fire truck in it. Specifically, one of these.

 

When I realized I started it in early spring, I remembered why.

My brother passed away at the end of January, and I started the new story about two months later, when the weather was still wintry-crappy. That was why I did it: depression. I don't mind editing or polishing a story, and I don't hate submitting, and I pretend I don't hate promotion ... but it's the writing, the actually telling of the story, that I love. So, to battle feeling down, I started work on a new book in April.

 

Yes, there is a Jeffrey in the new book ... kind of. There is not a Mark.
 

As long as I was doing that, I told my wife, I would also use the new story to work through my grief over Jeff's death. My wife asked me if that was a good idea and I told her something along the lines of, "I know what I'm doing.".

Notice how people who say that so often don't?

Now that the "final" draft is done, it's a pretty good story, although it needed more editing than usual. However, it's not the story I had in mind.

You see, I write in several genres, and one of them is romance. Now, there's nothing wrong with a guy writing romance, although it isn't common. However, all mine so far have been romantic comedies. That's what I like to read (and watch), so that's what I like to write. This was going to be one, too.

 Should have known better.

Hey, sometimes even dogs get depressed.
 

Oh, it still has humorous parts, but let's take a look at some of the subjects covered in the novel: cancer; family loss; puppy mills; animal cruelty; winter depression (seasonal affected disorder); and the stages of grief.

This was supposed to cheer me up?

The final story isn't as dark as that makes it sound, but it certainly couldn't be described with the word "comedy". So, here goes a dive into another sub-genre. How many am I up to, now? In addition to those there's humor, young adult, science fiction, mystery, history, and ... well, I guess The Source Emerald is urban fantasy, given that it has magic being used in modern society. If I had a publicist, they'd be horrified.

But what the heck ... writing's still my thing, and I still love it--even when it's therapeutic.

Genres? Yeah, we got genres.










Recently I spent two days sending queries to literary agents. Several hours of researching the agents and their agencies, composing query letters, enclosing requested materials, and sending out twenty-two e-mails. Most agents accept simultaneous submissions, but they also appreciate a personal touch, so researching whether we'd be right together was pretty time consuming.

By the end of the first day I'd already received two rejections.

Many authors do just fine without agents, these days. You don't need one if you self-publish, or if you submit to publishers that permit direct submissions, like most small and medium sized publishers. Harlequin, the Big Shot in the romance novel business, doesn't require agented submissions. In fact, one of the Harlequin lines is currently looking at my romantic comedy novel, Fire On Mist Creek.

They've had it for two years. I'm not confident.

Many authors get published without agents, after all. I should know.


Many publishers, especially the big ones, won't look at a submission unless it's received through an agent. Also, good agents act as full partners with the author, assisting in many areas besides the submission process, and also provide a shoulder to cry on. As slow as the publishing industry can be, that shoulder can be important.

But is an agent worth the process of finding one?

I tweak my submissions to make them more personal. In addition, each agent has different requirements: Some want a synopsis, some a separate author bio; some want the first five pages, or the first three chapters, or the first twenty-five or thirty or fifty pages.

So  I took the time to target each. Some gave me a quick rejection; some I might never hear back from; some might send an encouraging note that they liked my writing, but didn't get excited enough about it. (And an agent must like your work, because they're going to dive into it with both feet.)

Maybe they'll like the query and ask for a partial; maybe they'll like the partial and ask for the whole manuscript; maybe they'll like the whole manuscript but, as with one agent, have a meeting with their staff in which it's ultimately rejected. (They loved my young adult novel but thought it wasn't dark enough, and felt "dark" was the way the YA industry was headed. No wonder young people today are depressed.)

Even if you ultimately land one, it might not be a good fit. I did have an agent, years ago, but eventually he decided to get out of the publishing industry, and I started again from square one. It wasn't my fault. I think.

There's ultimately no guarantee that the agent can make the sale, but you can be sure they'll try ... because a legitimate agency won't make any money from your efforts unless they do.

So there's the process: similar to the process of submitting directly to a publisher, and with a similar rate of success. Many authors are successful and perfectly happy with independent publishing, and others do very well submitting directly to publishers. Is the extra step worth it? Well, so far it's only cost me time ... on the other hand, time is a precious commodity.

We'll see what happens.

Any way you go, you still have to put the after-sale work in.


 

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