Note: If you like happy endings ... you might not want to read to the end of this post.


In a previous blog I detailed my failed attempt to sell a novel to the romance industry's biggest book publisher. The synopsis: They liked my query, asked for the entire manuscript, then disappeared into a publishing black hole from which even emails couldn't escape.

I wish all my snynopsis were that easy. Snynopsis's? Synopsi?

I submitted to a specific line of books within the publisher, but that line's requirements have changed so much my story would no longer be a fit for them, anyway. So, I was free to submit Fire On Mist Creek to a different publisher.

Or to a different line within the same publisher.

No, I'm not insane, hear me out. First, here's the blurb I wrote for the story:


Thanks to insomnia, volunteer firefighter Alice Delaney is Night Watch for the little town of Mist Creek, Kentucky—the entire Night Watch, unless you count the firehouse dog. That’s a break for former Chicago firefighter Reed Carter, who she finds in a broken-down pickup truck near town. Soon after that he returns the favor, by helping her rescue the occupant of a burning house.

 

Both are on the run from their respective demons, but Reed may have found his salvation in the form of a little town in crisis, and a woman dealing with loss. Alice isn’t so sure: Newly promoted to Mist Creek Fire Captain, she’s dealing with a financial crunch and an arsonist. She’s not ready for a relationship with an action junkie who could be taken away from her. Not again.

 

 

I had to research firefighting, of course.

 

 

It's a work of staggering genius. Not the book, the blurb: I boiled that down from 60,000 words! Blurbs and synopsi ... sss, are the bane of book writers.

On a related note, the novel was 60,000 words. The Big Publisher had another line that would be absolutely perfect for this book, assuming they didn't change the line's requirements before I got it to them. There was only one small glitch: That line wants stories in the 70,000 word range. Maybe not exactly, but a 10,000 word difference is a deal killer.

Now, there are other publishers I could submit Fire On Mist Creek to. Still, I wanted to work with this publisher, I said stubbornly, in a rather whiny voice. But add 10,000 words to a story I thought was finished?

I found my answer in another dumb thing I did, which is where I find many of my answers. During the almost five years waiting to hear back after they requested my manuscript, I wrote other books. I wasn't just pacing in the back yard. Imagine all the dead grass.

 

Hundreds of books! Thousands of books! Okay, eleven.

 

 

Two of those books are set in that same small town, Mist Creek. Okay, one starts out elsewhere and ends up in Mist Creek. The point is, if I couldn't find a publisher that's interested in all the books, I may have wasted a lot of writing time.

But in my haste, I found the answer to my length problem. Many characters from Fire on Mist Creek show up in the other two novels, but a lot of characters from those two books didn't even exist when I wrote the first one.

And that's when I felt a great swell of inspiration, or maybe more stupidity.

If it's going to be a series, more of the people from the other books should be introduced in the first. In fact, it would be easy, because some of those later people are involved Mist Creek's emergency services. They'd naturally be around each other, anyway. In the other two books there's only one other new arrival; the other characters are already town residents.

Since the story is set before the others, I could put them in without having to refer to the other two books and confuse everyone. Sure, I'm confused, but if I could straighten myself out everyone else will be fine. Even as I mused over the idea, new scenes came to me that would enrich the story and also play into the main plot.

(Update, because I didn't post this right away: So that's what I did. The rewrite is finished, and the new story sent!)*

 

 

I have an office, and I'm ready to write! Once I find my laptop.

 

 

told you it's genius. It's such a great idea, I'm pretty sure aliens showed up one night and inserted it into my, um, body. That would explain the tiny piece of metal in my chest. Even if I end up with another publisher, the book will be better. Hold my beer, I'm writing!

(Okay, I don't drink beer, but leave my tea alone--it's still hot, just like my typing fingers.)


*Okay, here's the bad news. All this was in the past: I submitted the book to Harlequin Heartwarming on April 6. The Publisher Who I Just Named, aware of how long they strung me along last time, sent me on a response on May 16, a blistering speed for a traditional publisher.

It was a form rejection. So, we move on.


You can find the books that did somehow make it to publication here:

 

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914

·        Audible: https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

 

 

 

Remember, writers need all the support they can get.

 

  Some time ago, I was ghosted by one of the biggest publishers in the business.

Or maybe not. What do I know?

I submitted a romantic comedy novel to a publisher that has a name similar to one of Batman's villains. There, that won't give it away.

 

Some people differ on how author-friendly the publisher is, but ever since I started writing romance, I've wanted to write for them. That would be sometime in the early 90s. Before that I was writing science fiction and action/adventure, which I still am, and there I'm still having the same publishing luck.

But by then I had a track record of published novels. I also had a great story with a good title, "Fire On Mist Creek". Or a good story with a great title. I think it's a great title. Is it? It doesn't matter, because Harl--the publisher usually changes the name before publication, anyway.

(And they'd also change my name to a more feminine one, which I don't have a problem with. Maxine Hunter? No? Okay.)

I sent off a query letter, an outline, and the first few chapters of the story in--wait for it--2018. ("Wait for it" is practically the theme of this story.)

Just two months later, which is five hours in publishing time, an editor wrote back and requested a full manuscript! This is a Big Deal. The average traditional publisher receives so many queries that if they aren't occasionally rejected by the dump truck load, they collapse the building.

Then I heard nothing.

For years.

 

"And this is when I stopped hearing from them."

 

 

I sent a "nudge" a year later, and another one two years after that. Nudges are when desperate writers, who at this point want ANY news, gently ask for such news while groveling as much as possible. After the second nudge, I finally got a reply.

They'd lost my manuscript.

So they asked for it again, in early 2021, and I was happy to oblige. A little over a year later, I sent another nudge. And another. I don't feel like going back to count, but I sent several.

I went back to count: It was four. No one wants to annoy an editor, but I started including other people from that particular line, assistant editors and such. By the time I gave up, I'd shotgunned about six different people in my pleas, which had turned from "Like me!" into "At least put me out of my misery!"

When a writer is waiting to hear back on a book submission, the best thing they can do is work on another book. This I did, but there was a thriller-level twist: As I plotted it out, I realized it could easily fit into the Mist Creek world I'd developed. I a huge fan of series. Serieses. Seriez? Serii? Anyway, my Storm Chaser series is a series. That's why I call it a series. So I wove this one into the Mist Creek community.

Then, the next year, my wintertime depression was hitting me pretty good, so I decided to cheer myself up by writing a Christmas romance. Set in Mist Creek. So I did.

So now, with the first book having not sold, I have a series. Most romance publishers love a good series, but they prefer to approve the books individually.

By then I learned something that Harl--the publisher had done that rendered the entire question a moo point.

 

Maybe it's moot. Anyway, they had changed the requirements for that particular line. Not only did my manuscript no longer fit the description of what they wanted, but it was now 10,000 words too short. They were now also no longer accepting unagented submissions, which is what mine was.

So, I sent them--all of them--an email withdrawing my manuscript. It had been five years.

Was I ghosted? Was it some horrible mishap in which they changed their email provider and mine all got lost in the shuffle? Was it me being male, instead of female? Did I accidentally send my correspondence to a publisher in another dimension, and we'd gone out of phase?

Beats me, and boy, did I feel beaten. But, giving the benefit of the doubt, my withdrawal email was nice and polite, as I tried to keep all my emails. It pays to be nice, and maybe someday they'll answer it.

Besides ... they have other lines open for submission.




You can read our books, romantic or not, here:


·        Amazon:  
https://www.amazon.com/-/e/B0058CL6OO
·        Barnes & Noble:  
https://www.barnesandnoble.com/s/"Mark R Hunter"
·        Goodreads:  
https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
·        Blog: 
https://markrhunter.blogspot.com/
·        Website: 
http://www.markrhunter.com/
·        Instagram: 
https://www.instagram.com/ozma914/
·        Facebook: 
https://www.facebook.com/MarkRHunter914
·        Linkedin: 
https://www.linkedin.com/in/markrhunter/
·        Twitter: 
https://twitter.com/MarkRHunter
·        Youtube: 
https://www.youtube.com/@MarkRHunter
·        Substack:  
https://substack.com/@markrhunter
·        Tumblr:  
https://www.tumblr.com/ozma914
·        Smashwords:  
https://www.smashwords.com/profile/view/ozma914
·        Audible:  
https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

Remember, every time you buy a book from a local author, Big Publishing quakes in its leather-bound boots.

 

"If the Beast gave me a library like he gave to Belle, I'd marry him too." -- Aya Ling


 So, my wife's bosses were going through storage units, and had to sort through all the books their daughter collected over the years. Some were damaged, but they offered to give Emily and me most of the rest. Their daughter, they said, read a lot.

Not long after, they filled our Ford Escape with so many books I was afraid it would bottom out on every hill on the way home. A few days later, they did it again. Then again.

 

 

Mountains of books! Forests of books! More books than you'd ever read in a lifetime!

Ahem. If you'll pardon me for quoting Beauty and the Beast. I may have cried a little. I also may have cried a little while we were carrying them all up the steps into the house, but enough about my back.

It was Emily who had to clean up the books because, as it happens, I'm allergic to both dust and mold. Never thought I'd be glad about that. But I forgot, and later when I was cleaning our former bedroom/new reading room (our own library!) I gave myself an allergy attack. Too bad--eight hours of sleeping off the Benadryl, when I could have been reading.

 

Freaking scads of books! 

We're still sorting them, by author and genre. Authors like me, who don't stick to a genre, will be a problem. But many of them were novel series (love a good series), which helped. We unfolded a table and Emily got started while I was cooking and doing the dishes, which is completely understandable when you realize how much more organized her mind is than mine.

Really, the only member of the family who wasn't thrilled was the dog. (This all happened before Beowulf passed away.) When we first put up the table he liked to lay down under it, but as we unpacked more books that space became filled, too. Sometimes he just walked up to the table and looks sadly at his former doghouse.

"I am NOT amused. I can't even read."

 

A large percentage of the books are what's called high fantasy, which I take it are better enjoyed when you're high. Wait, let me check ...

Oh. Well, it means epic in scope, with forces threatening a world that is not our own. Game Of Thrones stuff, and didn't it take us a whole year to read through those massive tomes. The novel I wrote (and am currently trying to sell) is low fantasy: mostly set in the real world, with the addition of magical elements. Now we're talking about Harry Potter and the Giant Dump Truck of Money.

Many others are space opera, again similar to another novel in my submission process. Think Dune, the Lensman books, and of course Star Wars. (My Junior English teacher in high school was the daughter of E.E. Smith, who authored the Hugo-nominated Lensman series. Fun old-timey SF, and possibly an inspiration for the Green Lantern.)

There are also history books, mostly involving World War II, which made me squeal a little. Okay, a lot. There are mysteries, and both nonfiction and fiction books about horses, and encyclopedia yearbooks covering all the earlier years of my life and some before. We have our own library of books--something I always dreamed of.

I took this photo to document that someone decided to leave their shampoo behind, and buy a book instead. If you never leave your couch, you don't need shampoo.

 

It all made me a little sad.

Let's face it: even if I gave up writing and put all my spare time into reading, there's no way I'll ever get to all these books, plus the ones I already have, plus the ones on my reading list. We've still got books in boxes in the garage. I've got friends writing books that I want to read. It makes me want to retire to a rustic cabin in the woods and just become one with a comfortable chair.

Still, just having all those books up on shelves around us will cheer me up substantially, and better too many than not enough. With books, I may never go anywhere again--but I'll go everywhere.

That's a pretty good way to spend your time.


Remember: Every time you don't read a book, the author has an allergy attack. Keep authors healthy.

 


 

We and our books--I mean, the ones we wrote--can be found everywhere:

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO

·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"

·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

·        Blog: https://markrhunter.blogspot.com/

·        Website: http://www.markrhunter.com/

·        Instagram: https://www.instagram.com/ozma914/

·        Facebook: https://www.facebook.com/MarkRHunter914

·        Linkedin: https://www.linkedin.com/in/markrhunter/

·        Twitter: https://twitter.com/MarkRHunter

·        Youtube: https://www.youtube.com/@MarkRHunter

·        Substack:  https://substack.com/@markrhunter

·        Tumblr:  https://www.tumblr.com/ozma914

·        Smashwords:  https://www.smashwords.com/profile/view/ozma914


So, here's why I haven't read many books so far this year: Because I've read fifteen volumes of Schlock Mercenary, a web comic turned graphic novel. Did I like it? Well, I'm on my fifteenth volume, so there you go.

In the very first strip Schlock joins, as you might expect, a group of space mercenaries called Tagon's Toughs. To paraphrase the old A-Team opening, if you've got the money--and if you can find them--you can hire Captain Kaff Tagon's army-for profit. But you won't have any trouble finding them, because they leave disaster in their wake.

 


 Schlock, one of the few known carbosilicate amorphs in the galaxy, looks like nothing so much as a big pile of poo, and is very close to indestructible. He approaches his job with glee and loves nothing so much as dismantling anything and anyone he gets aimed at. When bad guys stand in his way, they usually end up blasted or eaten.

 

Meanwhile, the rest of Tagon's Toughs range from humans, to aliens of every type, to Earth animals who gained sentience. The company's biggest antagonists are also its biggest allies: Artificial Intelligences running ships and worlds, which communicate through avatars that mostly look like humans (although one resembles a super-cute koala).

Writer and artist Howard Taylor covers modern problems ranging from politicians to nanobots, using parody, satire, and just plain laugh-out-loud humor to deal with a violent universe that's always on the edge of blowing up--sometimes literally.

 

 
 

 

Taylor himself admits to being weak on the artistic side when he first started out. But the art gets better, and the writing is on the money right from the get-go. He happily tackles just about every science fiction concept ever invented, hard and soft, and as the series goes on the challenges and players get bigger and bigger. Taylor's not afraid to kill off characters, and those that eventually come back do so in a convincing way--or at least, a way that may be possible in the future. It's clear the author has a good grasp on technology, even if he happily strays from known science for a story or a laugh.

Meanwhile--and this might be the most surprising part of Schlock Mercenary--Taylor gives us relatable, engaging characters along with the well-plotted stories. As the scale gets bigger and bigger, the characters change and grow and, as mentioned earlier, the art gets better.

Check out the strip or order the books here:

https://www.schlockmercenary.com/

You can click on "Schlock Mercenary Begins", which will take you to a redone version of the first strip, and below that is a link to the original strip. Did I mention the art gets better? It does.

 


 And my stuff is here:

 

 Remember: Reading keeps you from turning into a big pile of poo.

 

 I used to be a submitting machine ... but now I'm tired.

If a writer wants to be traditionally published, they must submit. Their short stories, novels, non-fiction books, must go out to those publications that accept un-agented submissions, or they must go through literary agents for the other publications. (Independent publishing is a different animal, which some writers swear by to bypass traditional gatekeepers.)

I have an Excel file I've used to track my submissions since 2009. (!) It has 418 entries. Some of those resulted in request for further materials, such as a synopsis and opening chapter that led to an agent wanting to read the entire manuscript. A very few led to publication.

In 2022 I submitted to magazines, agents, and book publishers 77 times. In 2023 I only made 45 submissions, and so far in 2024--zero.

What went wrong?

 

There are always distractions. This distraction lives next door, and likes to have her belly rubbed.

 

 

What went wrong is what went right: I got a "yes", and was contracted to write a book. It took me a year, during which time I was too busy to worry about my other projects. Now it's time to play catch up.

That stranded a lot of material, just waiting to go back into the wild, cruel publishing world. On the other hand, I have the advantage of considering most of it fair game again: If no one I submitted to has expressed interest for over a year, chances are pretty good I can move on. That includes, sadly, a couple of exciting requests for fulls.

So I have six completed short stories ready to go out. I'll probably polish them, and everything else, one more time before submitting, since they've grown "cold" and I can look at them with a more objective eye.

 

I'd really like to see all this done before I grow cold.

 

 

I have six completed novel manuscripts, and two more that need revisions before they're ready. Oh, and a novella: a Storm Chaser prequel that promises to be a lot of fun.

I have two books, one fiction and one non-fiction, that I started on and need to finish.

Then there's my sudden realization the other day that the nation's 250th anniversary is coming up in just a couple of years, and that might present the perfect opportunity for a Hoosier Hysterical sequel.

 

I'm thinking "Hoosier Hysterical II: Hoosier Hystericaller". No?

 

 

This is why sometimes it frustrates me that I could have retired from my full time job two years ago, but can't afford to. Imagine what progress I could make if I sold enough books to write full time!

Well, I guess that's what promotion and publicity are for. They're next on the list.

 

Remember: Every time you buy a book, you encourage an author to write another one. Enable those poor people.

 

Four of our books are finally up as audiobooks! Do you hear me?

I know what you're thinking: "But Mark, you can't afford to engineer an audiobook!"

What's that? You're actually thinking, "I wonder if white socks have to be dyed, or if colored socks have to be bleached?" Fine. But just the same, they're up on that audiobook powerhouse, Audible.com.

https://www.audible.com/search?searchAuthor=Mark+R.+Hunter

The books, not the socks. I guess the socks would be in the category of Sole Music.

Amazon's Kindle Direct Publishing, in one of those cases of "We should have seen it coming", is offering authors a chance to use Virtual Voice to make their works into audiobooks. I was contacted to beta the service, as was, I suspect, every other writer on Amazon. But audiobooks have become a big thing, and I can't afford a service, or the equipment and time to do it myself.

The first one I tried was Storm Chaser. I found the process easy, and the voice acceptable. It is a virtual voice; the term "virtual" has become a dirty word among artists, but this one isn't stealing from someone to make something. Anyone interested in trying it should read a sample first, to see if they're okay with the voice.

https://www.amazon.com/Audible-Storm-Chaser/dp/B0CYB9RHFS

Pay no attention to the voice behind that book!

The second I converted was The No-Campfire Girls. Since the book is almost entirely from the POV of a teenage girl, I chose a female narrator for that one. The price I used for all four books is $3.99, which is low for an audiobook but within reason. Amazon's "free" service gets a cut of that, of course.

https://www.amazon.com/Audible-the-No-Campfire-Girls/dp/B0CY9TVJKC

 

Seriously, there's no one there. You're imaging those legs.

The other two are my straight humor books, Slightly Off the Mark and More Slightly Off the Mark. (This is as opposed to books like Hoosier Hysterical, which are a mix of humor and other things. But they're still funny. Trust me.)

https://www.amazon.com/Slightly-off-Mark-Unpublished-collected/dp/B0CYP4SR1J

 

 

https://www.amazon.com/More-Slightly-off-Mark-reconditioned/dp/B0CY7WWQPK

I'd love for these books to get popular enough to generate a series--I have lots of columns to go.

It was only, oh, this week that I found out Audible is now an Amazon owned service, so ... yay!

Of our other books, some I can't get converted to audio right now due to technical problems, which we're working on. Some I just don't think would work as audiobooks. Images of America: Albion and Noble County is a photo-heavy book, and I'm not sure I could do this without permission of its traditional publisher, anyway. Smoky Days and Sleepless Nights is a toss-up, but being a local history book on a niche subject, I'm not sure there's any point in trying.

Listen to a sample and let me know what you think. If it works, it's a great chance to expand our audience. If it doesn't ... well, all it took was a little time out of my life when I would have been watching "Resident Alien".

 

 

Remember: If you're going to hear voices, it's better to know where they're coming from.



 

 Okay, so check this out: As I'm sure all of you remember, back in 2021 I had a short story, "Everybody Knows Your Name", published in East Of the Web, an online fiction magazine. The original short story is here:

http://www.eastoftheweb.com/short-stories/UBooks/EverKnow1183.shtml

 

 

 

And the post I made about it is here:

https://markrhunter.blogspot.com/2021/01/new-short-story-everybody-knows-your.html

Not that you need to read the blog post, but I try to be thorough. Anyway, the story has been translated and republished ... in Romanian.

It has TOO. I have proof:

https://fictiuni.ro/toti-iti-stiu-numele-mark-r-hunter/

 

Amazingly, my name in Romanian is the same as my name in English.

 


 Ha! Told you. The Senior Editor, a very nice man named Nicu Gecse, asked if I would allow the story on fictiuni.ro for their tenth anniversary issue. As you might imagined, I checked to make sure it's the real deal, and it is--they've even published an Isaac Asimov story.

 

"Everyone Knows Your Name" is the story of a time traveler whose first trip--as tends to happen with time travelers--doesn't go at all the way he planned. I love time travel stories, and I tried to make this one original, and ... maybe I succeeded. If not, I'll just go back to 1955 and try again.

So you people taking Romanian to get that language minor, here you go--enjoy! Of course, the story won't be a true classic until it's translated into Klingon.


 

Remember, if you ever go time traveling, take a good translation book with you.

 

 I promised some time ago (or was it a threat?) that I'd share more info about our kinda-sorta new short story collection, Storm Squalls.

Formerly known as Storm Chaser Shorts, that title will now be used only when I'm dressing for a tornado watch. It's still a prequel/sequel/epilogue to our Storm Chaser series, something that arose organically because, when I originally wrote it, Storm Chaser was the only other book. You can take a look at it here:

www.amazon.com/dp/B09YGJ1XR6

 

 

If you don't like e-books and don't want to go through Amazon, you can order a copy (or two) direct from us. I'm sure we can arrange a deal if you want more than one of our books, to complete your Mark R. Hunter collection. Does anyone have one of those? I mean, besides me?

 

It's selling for $1.99 on Kindle and just six bucks in print, and usually you can't get a steal like that without committing a felony. That's two dollars less than the first Kindle edition.

But wait--there's more!

There were ten stories in the original collection, but we increased it to sixteen to give you more bang for your buck, or possibly you're gluttons for punishment.

But it complicates things, because only seven of the stories are set before the original Storm Chaser. Six more take place in the time period between Storm Chaser and its sequel, The Notorious Ian Grant, also a romantic comedy. The final three short stories more or less exists outside the timeline (as does the related young adult novel, The No-Campfire Girls). So you don't have to read the novels before you read half the short stories. You don't for any of them, really--but you'll be spoiled, as the kids say these days.

Of the new stories in this volume, three are brand new, including my personal favorite, "High Horse--Or, a Horse Tail". I had the most fun writing that one and "Chaos At the Con", which like the last two stories were available on social media some time back.

Whew.

Where were we? Oh, yeah. I hope you enjoy it, and did (or will) enjoy the other books in the series--and yes, arrangements can be made for a bargain on multiple book sales. I'm the author, I can do that. Also, say thanks when you see Emily, who designed the cover, formatted Storm Squalls for both e-book and print, and got it up for sale. She's my hero.

(By the way, Storm Squalls is also up on the website: www.markrhunter.com/)


 


 

Remember, no one ever died from feeding an author. That I know of.

 

 There's a new interview of me up on a website called Canvas Rebel:

canvasrebel.com/meet-mark-r-hunter/

It's basically an online magazine covering business, arts, and various creative types. Their main page is at https://canvasrebel.com/, where you can check out all the people who make me look like a slacker. It was a fun interview, although looking back at it I'm not sure my answers were more than indirectly related to the questions. I've been known to go off on tangents.

I just noticed, the opening calls me brilliant and insightful. It just goes to show how good I am at faking it.




Faking it: Do I look brave, here? Hah--I'm not brave, the outfit just makes me look that way. I never went into a burning building until I was sure all the spiders were dead.


I also wanted to remind everyone that the updated and less expensive version of Storm Chaser and its short story collection sequel, Storm Squalls, are both out on Amazon. We're going to get Storm Chaser up on other sites and on the website as soon as life calms down just a little and we can see what we're doing through the Canadian wildfire smoke. Until then you can find our books here:

https://www.amazon.com/stores/Mark-R-Hunter/author/B0058CL6OO

 I promised that if I sell a hundred copies by the end of summer I'd recite one of my own poems and post it to the internet. This is not necessarily an encouragement, so remember that if I sell a thousand copies, I promise NOT to recite one of my poems. I mean, I wouldn't know iambic if it kicked me in the pentameter.

The good news is, if a thousand copies sell by the end of summer I promise not to read poetry aloud. So get the word out.



Oh, and finally don't forget the Smashwords Winter/Summer sale, where you can get Coming Attractions for free on ebook, in July. That's way less than ... well, anything. I'll be hanging out here:

https://www.smashwords.com/profile/view/ozma914


I'll remind you again at the beginning of the month, 'cause that's what I do.

Wow, this has turned out to be a link-based blog. Well, then, I'll say goodbye with some links to my various online stuff. Some of them, anyway:
 


And remember: No one ever died from reading too much. Maybe incidental things like forgetting to eat, but not from the reading.

 One of the reasons I'm struggling a bit with my new writing project is that I usually start with a plot, then find characters to fit into the story. This has drawbacks, the biggest being that as I create my characters, they sometimes become so real to me that they start saying things I don't want to hear:

"Yeah, I know you plan for this to happen, then that to happen--but I just wouldn't do those things."

You're just a character, do what I tell you.

"Fine. That'll be my voice in the back of your mind--and you ain't heard nagging yet."

 

Don't even get me started on Beth Hamlin.

 

 

Stupid characters. But they're usually right, and I've been known to make changes accordingly. Just the same, I start out with a plot, and the major plot points usually stay the same, as does the ending.

This time out I started with great characters: a group of firefighters on a fictional department somewhere in the Midwest. I had a great setting, background on all of the above, and even some scenes already playing in my mind.

But no plot.

I did have a general arc going on in the background, but mostly the story was about the day to day lives of my characters, and the challenges they faced on the job. It was episodic, like a series of short stories put together, or a TV show about firefighters, of which there are many. My favorite remains "Emergency!", which is indeed put together that way. Season long plot arcs would have been laughed at, back then.

 

Can I find new story ideas from personal experience? Yes. Yes, I can.

 

 

But I want a plot. I'm a plot guy.

And here's the thing: I have identified a plot idea, but it's deadly serious, tragic, and very "ripped from the headlines". If you know my writing, you know I generally keep to light escapism, and my characters are all set to have a lot of fun in their life and death careers.

I'm not asking for a solution, mind you (although if you want to offer one, hey!) I'm only complaining because talking out loud helps me resolve these dilemmas. It seems to be working: Even as I write this I realize the Big Bad event I've contemplated would set things up for future books in a series, if that should happen.

And those future plot ideas I have come up with; all I need is an opening.

 

 

(Remember: Every time you buy a book, a writer's career could blow up. Not literally. Well, maybe in my case.)

 

 

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 

Like many writers, I like it when people read my stuff. I like it even more when they buy my stuff, because that gets me one step closer to retiring to the life of Gentleman Author.

(There used to be a thing called Gentleman Farmer. I suspect that means sitting on your front porch while someone else does the actual work.)

My goal, coming into 2022, was to sell an average of one book a day. It doesn't seem like much: Just 365 books in a year. But according to the experts, the average book sells a grand total of 300-500 books, depending on circumstances such as whether they're self or traditionally published. It takes only 3,000 sales to get on the Wall Street Journal best-seller list, if that gives you an idea. And yet, according to my research, over eight billion new books are published every year.

I might be a little off on that number. But it's a lot. (The actual number is estimated to be between 2-4 million a year.)

 

 

That average of a book a day seemed like a good goal, and I succeeded. But that's not the whole story. I have four books on Amazon Ads, which takes a great deal of work to balance out sales and costs, and in that I did not succeed. In other words, I spent more money than I made. Anyone will tell you that's not a sustainable business model, unless you're the government.

The other thing is that it's hard for an author to tell how many copies they've actually sold. Confusing authors seems to be a dearly loved tradition in the publishing industry. I spent quite some time totaling mine up, and in the end I came up with 539 sales in 2022.

But.

First, that's not the final number, because I still haven't gotten quarterly and biannual royalty reports from a few of my publishers.

 

 

 Second, while that's pretty good for one book, my sales were divided over eleven books. My biggest single seller was the romantic comedy Coming Attractions. Some of those weren't sales at all, but a giveaway over the holidays.

My second biggest seller was the humorous history book Hoosier Hysterical: How the West Became the Midwest Without Moving At All. Everybody seems to love this book, and that came as a surprise because, although I have three history books, I consider myself more of a fiction writer.

But now I'm wondering if I shouldn't write something else of the same nature. Humor, history, trivia ... but about what? Hopefully something that gives me an excuse to travel around, like Hoosier Hysterical did.

 


So, what's my next goal? I figure that should be to sell at least one book every day. That's not the same: Yes, I sold over 500 in 2022, but some days I'd sell ten or twelve, and other days none at all. Due to illness and injury we didn't get Storm Chaser and The Notorious Ian Grant reissued as planned, so when they come back out at a lower price that should help, some. Meanwhile, I've got other books to sell, write, and dazzle agents and publishers with, so the work continues. (I submitted to agents, publishers, and fiction magazines 375 times in 2022.)

 

Oh, you didn't know the writing business was work? Well, there you go.

 

You can find the aforementioned books here:

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

Remember: Every time you don't buy a book, the Plain States get another blizzard. Spare the plows.

 

ozma914: mustache Firefly (mustache)
( Nov. 26th, 2022 06:27 pm)

 Yes, I've won National Novel Writing Month! 50,000 words of a novel over, in my case, 25 days.

What's my reward? Well, bragging rights. Also, I get a novel out of it, and that's no small thing. 99% of all people who attempt to write a novel agree it's horribly difficult to get it finished. The other 1% are friggin' freaks of nature.

 
 

This is the fourth time I finished a novel rough draft in thirty days or fewer, so by now I'm pretty sure I can do it. This one was different in couple of ways, though:

First, it's, it's a sequel to a novel that hasn't been published yet, Fire On Mist Creek. The original one, also a romantic comedy, remains in the hands of a very big publisher of romance novels. Unfortunately, after asking for the full manuscript, the editor has had it so long the odds of them buying it are vanishingly slim.

The other unusual thing is that this story is my first novel set during a holiday, specifically Christmas, which you probably figured from the title. Christmas novels are popular among romance readers; on the other hand, I assume their popularity is limited to a certain time of the year.

 


 I shot for a 60,000 word manuscript, but it looks like the story will end up at barely 55,000. That's okay for some romance publishers, but by most standards falls short for a novel. That's something I'll worry about later, when I have the whole thing finished.

 

So, how do I celebrate? By starting the editing process, of course. One mistake NaNoWriMo participants often make is to immediately start shipping their book around to agents and editors. Unless you're a savant, 50,000 words in 30 days leaves you with a rough draft ... very rough. Mine needs editing. I'll make four or five passes at least, before it's ready. That's the job.

I'll probably polish up the first scene and put it in the newsletter, so people will have an idea of what to expect. When will the whole thing come out? Well ... some Christmas yet to come. That, also, is the job.

 

(But don't forget our other books are available as gifts THIS Christmas!)

 

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 


 

 

 

You won't hear much from me in November, although my regular blogs will continue with stuff already written and saved. Why? I've decided to once again compete in National Novel Writing Month, with the intention of losing.

It's a throwback to my high school days in Physical Education class, something I excelled in losing ... in. I did become adept at finding hiding places around the gym. Under the bleachers was always popular with us nerd types.

National Novel Writing Month, shortened to NaNoWriMo to save typing fingers, has its own official website. My account is here: https://nanowrimo.org/participants/mark-r-hunter. Guess I'd better update it. The idea is to write an entire novel--or at least, 50,000 words of it--in one short month, which happens to be November. Why November?

Why not?

It's not the best month, what with American holidays and all. I would have picked January. What else is there to do in January? Go outside? Ha.

A bigger question: Why do it at all?

Some writers start that Great American Novel, but never finish. Maybe they peter out because they don't manage their time well, or get sidetracked. Maybe they're the type who edit so obsessively they never finish that first chapter, page, or, in extreme cases, sentence. They go over it again and again, and in the end ... don't end.

But the first draft is allowed to suck. Nobody else has to see it, ever. NaNoWriMo is designed to be that butt kick that forces writers to forge through and finish their first draft. They don't have time to edit: To make fifty thousand words in thirty days they have to write almost 1,700 words a day! Go to it, get that first draft done, and edit later.

My own writing habit is to sit down and go over what I wrote last time, to get me back into the groove, and I do usually edit then. Just the same, I've won NaNoWriMo three times: With Summer Jobs Are Murder (formerly Red Is For Ick, and don't I regret that), Fire On Mist Creek, and The Source Emerald. Since then all three of those novels have been edited, polished, and are trapped in submission hell.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-oajk-SPxP-utUE835cmjlBQQLAvJxw3jgNosrPAZI-9syoQFs1lNhk56R9iGFKaJhgcKmw805ic90H8p6Ww7DtWQJAeAV8b1HX9Wqx_xFJE1OzdLvuZiQu1qPDyXGgIMbme6mik3UcvQvnMkWUF2UBchuEyYzYfhtAM_nPUojacfxSOOBJcegiO6yQ/s595/rewrite.png


(No, I don't think my NaNo projects are cursed.)

So, I'll stick to the habits that worked with me in the past. As a result, I'll consider myself lucky to get 40,000 words done, but I know from experience that once I get that far, I'll be able to power though and finish--maybe in January. And honestly, any writer who takes their shot, works hard, and emerges with something to show for it, wins NaNoWriMo no matter how many words they get in..

What's my new book about? It's a holiday-themed romantic comedy: Christmas on Mist Creek.

Yes, that's right: I'm writing a sequel to a book that hasn't even been published yet.



 Find our books at:

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

 

https://3.bp.blogspot.com/-ECwVrhY0oWE/WfWDs4g6b0I/AAAAAAAADcQ/cPc-oL9sTQoBITtXFKOpXpGFsu_8EUaRQCLcBGAs/s1600/MarkWritesInCar.jpgSometimes you have to write wherever you can.

                               

 

Remember, every time you pass on a book, a typesetter loses his case. Don’t cause all-caps.

 I'm continually surprised that editors and agents in the publishing industry expect novelists to write short stuff, like query letters, outlines, and synopsis ... synopsis's ... synopsi? Just a sec.

(Huh. It's synopses. Who knew?)

Asking a novelist to write short is like asking a politician to spend less money; asking the Wicked Witch to be less cackle, um, cackle-y; asking me to skip dessert. My novel manuscripts tend to be short, but that doesn't make me freak out any less when I have to reduce it to a 1,000 word synopsis. My latest manuscript is 82,000 words: It's like taking a full size pickup truck and reducing it to Matchbox size with your bare hands.

Hey, I have this one! Wouldn't want to build the real thing from scratch.

Now imagine someone trying to write a synopsis for one of George R.R. Martin's Song of Ice and Fire books, which are so big they're registered as lethal weapons. Seriously, even putting it on your Kindle adds two pounds. When I tried to read the newest one on the couch, I broke my hip. And the couch. Of course, no one would ask him to write a synopsis. In fact, he probably has an assistant that does nothing but write synopses ... seses ....

In theory the best way to write a synopsis is to write one paragraph for each chapter, then trim where necessary, as if it isn't going to be necessary. I tried other tactics. For instance, removing every "the"; putting into the synopsis only the third and fifteenth word of every page; and hiring George R.R. Martin's synopsis writer. None worked. (You wouldn't believe what that guy charges.)

So I looked the manuscript over again. While Martin's books are high fantasy, my newest story is apparently low fantasy, and yes, I'm aware of the possible jokes. That means it's set in our real world, but magical elements intrude into it; the best known example would probably by the Harry Potter series.

 

How low can you go? Well, you could have an entire school full of kids who could turn their parents into warthogs, for instance.

 

 

My story, The Source Emerald, is about a young FBI agent on her first assignment, who tries to track down possible gem smugglers in upstate New York. Magic ... intrudes.

All I had to do is boil down her personality, the plot, the stakes, and the major supporting characters into 800-1000 words, or less than two pages. Or shorter, depending on who you ask. Oh, and in your own unique voice ... with plot twists ... and the ending ... I'm going to go lay down, now.

Okay, I'm back. Almost all authors hate writing a synopsis, and those who like it almost always turn out to be heavily addicted to something and/or certifiably insane. I don't have the exact statistics on that. All I know is that on my first whack at it, I spent half a page describing why my main character, Lilly, absolutely doesn't believe the little girl she encounters is Dorothy Gale, made famous in the Oz books. I had to reduce that to, like, four words.

"Dorothy is brunette, and a teenager, and not a princess, and it was all a dream, anyway. Stop pulling my leg--I've seen the movie."

In the final version the whole thing boiled down to: "Lilly doubts Dorothy's story."

It took me three days to come up with that sentence.

In reality I got the whole synopsis done in "just" a few days, not counting my nightmares of being chased by an editor with a sharp red pen. My first version was about 3,500 words, which really wasn't too shabby. My second was around 1,500--I was slashing words like a horror movie villain.

And then--finally--920 beautiful, short, on-point words. That's it. If you want a shorter synopsis from me, I'll just cut from the bottom and you'll never know the ending, pal! (Or lady, since most of the agents and editors I've queried have been female.)

But I did it. I'm relieved, and proud, and surprised, but mostly relieved.

Now I have to write a query letter.

Hm ... or maybe I should tackle a short story. What do you think?

 

 

 
(You can read the original version of this--and see a cute picture of our dog--over at the newsletter:  https://mailchi.mp/1de8decbbe08/ive-become-an-interstate-sensation?e=[UNIQID]

I was featured in VoyageMichigan!
No, seriously. I can prove it:

https://voyagemichigan.com/interview/life-work-with-mark-hunter-of-just-south-of-the-michigan-state-line-in-indiana/

I know what you're thinking: "But Mark, aren't you a Hoosier boy?" Well, yeah, but I can start driving right now and be in Michigan in half an hour, assuming the highway is open in Rome City. As I explain in the article, Michigan has been very good to me, and I've been to several of its most famous places: Hell; Albion; Detroit; and this place:
This is Lake Bellaire, where my ex-father-in-law owns a cottage that, thank goodness, we still get to visit now and then. It's also the setting for my novel Radio Red, which was researched, outlined, and partially written up there. The book is what got the attention of the VoyageMichigan crew, who were kind enough to do the aforementioned profile. So yes, Michigan is my second favorite state, although I must admit in all fairness that I've never been to Rhode Island.
Check out the article and the rest of the website! Then check out the book, which you can find on our website, or here:
https://www.amazon.com/Radio-Red-Mark-R-Hunter-ebook/dp/B01MRZ52DM
Check it out: I guarantee you won't be disappointed.*

*Guarantees do not constitute a guarantee except within 500 feet of the Devil's Soup Bowl or in Hell (when frozen over).

Find all our books here:

With the dog and I both sick and the weather a study in hell, I haven't felt like going outside. The last time this happened, I spent a few days doing internet searches for:

Antique fire trucks, natural cliff climbing spots near Chicago, Harlequin Great Dane dogs, climbing and rappelling gear, highway cuts, dog lift harnesses, the most common Louisiana surnames, antique car restoration, and first names for men and women.

https://i.pinimg.com/736x/3c/92/b7/3c92b75b49d2b63018b3948f9b47657f--harlequin-great-danes-huge-dogs.jpg
I do my research with dogged determination.

 

Either the infection reached my brain, or it was time for another novel research session.

Not that I don't have plenty of other work to do, in submitting, editing, and promoting other book projects. Oh, and my day job, which is at night. But when it comes to submitting, there's a certain amount of waiting involved, anyway. So I came up with an idea for a new story, and sometimes a writer just wants to kick back and do the fun stuff, which for me is researching, creating characters, and writing that first draft. I mean, fun when it's not frustrating.

At least I won't get as much Federal attention as when I started work on The Source Emerald, and researched such things as the FBI, jewel smuggling, cross country travel routes, and types of handguns.

So ... what kind of story should I research for next?

When I started writing the Storm Chaser books, I did so much weather research I should have earned a meteorology degree.

 

 

 When a novel begins with the total destruction of Earth and everyone on it ... where do you go from there?

In God's Bolt, Ron Forsythe goes to the only survivor: scientist Helen Southcote. Alone on a United Nations sponsored space station, she has to witness the asteroid impact that destroys the world, and live with the knowledge that she's the only survivor.

She doesn't handle it well.

Helen's only companion is an Artificial Intelligence running the station that she doesn't really like, and her only comfort the knowledge that the search for intelligence elsewhere, her life's obsession, was successful: There is life out in the rest of the galaxy. Unfortunately, it's so far away that it's no hope of rescue, and unlikely to even know of the Earth's destruction.

 God's Bolt by [Ron Forsythe] 

 https://www.amazon.com/Gods-Bolt-Ron-Forsythe-ebook/dp/B07QB9CFJL

 

For the rest of the novel Forsythe flashes back to Helen's life, the creation of the space station's A.I., and the discovery of the massive asteroid that sneaks up on Earth, along with efforts to divert it. At the same time we follow Helen's recovery from despair. She's seen her friends and family all die, and is now stranded on a space station that can never land. The best she can hope for is to survive, alone, and watch the world burn beneath her.

Not the most upbeat life in the world. Still, God's Bolt is fascinating in the same way so many disaster stories are, even if the "Who will live?" question seems settled right from the beginning. The writing can be repetitive at times, especially when it comes to Helen's breakdown and the fight against the asteroid--I couldn't help thinking it wasn't necessary to say it was huge so many times, for instance. But it was an interesting, optimistic, look at what the world could be in a century and a half or so. Interesting enough that I was sad to see it go!

Helen is the main viewpoint character in God's Bolt, and I found her well rounded, especially as we get to follow her through her life and dedication to the search for extraterrestrial intelligence. That's a subject I assumed was an unnecessary side story, but just about everything is tied up at the end.

I also found the efforts to stop the disaster, complete with infighting in the world's government and the rise of a doomsday cult, to be fascinating, even knowing their efforts would ultimately fail. All in all a fun read, or at least as fun as planetary Armageddon can be.

By the way, improbably ... there's a sequel.

https://m.media-amazon.com/images/I/51ulBV0gGyL._SY346_.jpg

 

 

 

http://markrhunter.com/
https://www.amazon.com/-/e/B0058CL6OO
https://www.barnesandnoble.com/s/"Mark R Hunter"

 

Now that I've finished the final draft of my new novel and handed it over to Emily to edit, I had to go back and figure out why I started working on it in the first place.

Ordinarily, when I finish writing a novel I like to have it finished--as good and polished as I can get it, before I move on to a new project. I also want to have it in circulation: submitted to literary agents and/or publishers, depending on the way I'm going.

That's where I have Fire On Mist Creek, Beowulf: In Harm's Way, and We Love Trouble, searching for attention in the cold, cruel world.  Smoke Showing is our upcoming non-fiction book, and it doesn't count because it was waiting for Emily's contribution when her work schedule lightened up in the fall. (Then I put her to work editing something else, so never mind.)

(I came up with all these titles; can you tell?)

So, four books I should be either self-publishing or submitting for traditionally publication. Then there's The Source Emerald, which Emily sent me notes on, and as a result now waits for another look. (The book, not Emily.) Add to that our already-published books, which are begging for some promotion and publicity time.

So when I finished the rough draft of "Found Dog Antique Fire Truck Romance Story" (still blocked on a title), it suddenly occurred to me: Why did I start a new book in the first place?

There's an antique fire truck in it. Specifically, one of these.

 

When I realized I started it in early spring, I remembered why.

My brother passed away at the end of January, and I started the new story about two months later, when the weather was still wintry-crappy. That was why I did it: depression. I don't mind editing or polishing a story, and I don't hate submitting, and I pretend I don't hate promotion ... but it's the writing, the actually telling of the story, that I love. So, to battle feeling down, I started work on a new book in April.

 

Yes, there is a Jeffrey in the new book ... kind of. There is not a Mark.
 

As long as I was doing that, I told my wife, I would also use the new story to work through my grief over Jeff's death. My wife asked me if that was a good idea and I told her something along the lines of, "I know what I'm doing.".

Notice how people who say that so often don't?

Now that the "final" draft is done, it's a pretty good story, although it needed more editing than usual. However, it's not the story I had in mind.

You see, I write in several genres, and one of them is romance. Now, there's nothing wrong with a guy writing romance, although it isn't common. However, all mine so far have been romantic comedies. That's what I like to read (and watch), so that's what I like to write. This was going to be one, too.

 Should have known better.

Hey, sometimes even dogs get depressed.
 

Oh, it still has humorous parts, but let's take a look at some of the subjects covered in the novel: cancer; family loss; puppy mills; animal cruelty; winter depression (seasonal affected disorder); and the stages of grief.

This was supposed to cheer me up?

The final story isn't as dark as that makes it sound, but it certainly couldn't be described with the word "comedy". So, here goes a dive into another sub-genre. How many am I up to, now? In addition to those there's humor, young adult, science fiction, mystery, history, and ... well, I guess The Source Emerald is urban fantasy, given that it has magic being used in modern society. If I had a publicist, they'd be horrified.

But what the heck ... writing's still my thing, and I still love it--even when it's therapeutic.

Genres? Yeah, we got genres.










Writing instructors, editors, publishers, they all say the same thing: When writing a piece of fiction, start at the beginning; go to the end; then stop.

Don't pad it. Don't be too sparse. Just make your story as long as it needs to be, no longer. It's good advice.

It's also wrong.


What do these works have in common? That's right: They're too short.

 
I got lucky with my early books, because my publishers weren't that picky about word count. My novels tended to weight in at around 55,000 words, which sounds like a lot, but it's at the lower edge for fiction. The first science fiction novel I tried to sell clocked in at around 62,000 words. I reevaluated it, added some new and expanded scenes, and got it up to 68,000. That was it. The whole story.
 
Now, Fahrenheit 451 by Ray Bradbury is only 46,000 words long ... but that's Ray Bradbury. Stephen King wrote The Stand, which is half a million words and thus far over the norm for any book. But he's frakking Stephen King. Believe me, a new author will get nowhere by whining that, well, George R.R. Martin and J.K. Rowling write long!
 
"When millions of people know you by your initials, get back to us." 
 
Many publishers won't even glance at your work if you don't go through a literary agent, so although they aren't strictly necessary, they can be great door openers. But after Beowulf: In Harm's Way got several rejections, one agent decided to level with me:
 
"I'm afraid this isn't right for me, but beyond that I'm also concerned that your word count of 68,000 is on the low end for Science Fiction."


 

What ... this is it? Did you consider putting in more dog scenes?"

 According to my research, people in publishing think the right word count for a science fiction novel is around 80-120,000 words. It varies for other genres: For instance, romance novels can commonly be as low as 50-55,000 words, which is how I got away with my romantic comedies. But it's possible some of the agent rejections for Beowulf: In Harm's Way were as much because of its length as anything else.

This really rubbed me the wrong way. We get lectured over and over: Never pad your story! It should be as long as it needs to be, and no more! Cut the fat! So if the story is perfect at 68,000 words ... what the heck?

I struggled with this for some time: If I wanted my story to come out at the low end of the proper length, I'd have to add at least 12,000 words. Of course, I could self publish it at whatever length I wanted, but I really wanted this story to have a chance with a big publisher, and even be the beginning of a series. But ... 12,000 words ...

Luckily, a solution was already right there, on my hard drive.

"Check this out: I'm putting in a prologue! That'll show 'em."

When my first novel, Storm Chaser, was picked up by a publisher, I thought it would be fun to promote it by writing short stories about the characters, to give away as a way to get readers interested. My publisher jumped on that, and the collected stories became my second book, the collection Storm Chaser Shorts. I liked writing about the characters so much that I'd already decided to do the same with Beowulf: In  Harm's Way. In fact, I'd already written five short stories in that universe.

Three of them were fun but silly little pieces that I didn't feel belonged in the novel's narrative. The other two were longer, and took place at the beginning of the story. They became chapters one and two, and I wrote a prologue that led right into them. (Prologues are another controversy. I like 'em, if they have a point.) By the time I'd added some connective material and looked through the manuscript for thin areas that could be expanded ...

Ta Da! 84,000 words, and none of it padding. I don't think.

I can't really complain, because after I put it all together, revised, polished, and read it again ... the manuscript was better than the shorter version. (Well, I think so. What do I know? I should ask some beta readers to check it out.)

How do you feel about word counts? Do you care, or is a long book intimidating, or does a short one seem too lightweight? It seems strange to me that novels seem to be getting longer, even as potential readers are accused of having shorter attention spans.





 

 Second draft of the new novel-in-progress: done. New working title: The Source Emerald.

The rough draft weighed in at 67,515 words. Even after cutting some of the final chapter, the second draft finished at 70,294 words. A lot of those extra 2,779 words consisted of me saying, "Huh? What did I mean by that?" and then going in to make it clearer. The whole thing is better now.

I think.

And how does one celebrate the completion of a second draft?

Why, by starting the third draft, of course.

I leave you with a photo of a giant emerald.

This, the Bahia Emerald from Brazil, is believed to be the largest single shard ever found. It weighed about 752 pounds, and has been valued at about $400,000,000.

It was necessary to shrink the emerald in my book down to thirty-two pounds, but it was once much larger, and still resembles this one. And that, Mr. NSA guy, is why I've been researching gems so much lately.

 


 

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