Some time ago, I was ghosted by one of the biggest publishers in the business.

Or maybe not. What do I know?

I submitted a romantic comedy novel to a publisher that has a name similar to one of Batman's villains. There, that won't give it away.

Some people differ on how author-friendly the publisher is, but ever since I started writing romance, I've wanted to write for them. That would be sometime in the early 90s. Before that I was writing science fiction and action/adventure, which I still am, and there I'm still having the same publishing luck.

But by then I had a track record of published novels. I also had a great story with a good title, "Fire On Mist Creek". Or a good story with a great title. I think it's a great title. Is it? It doesn't matter, because Harl--the publisher usually changes the name before publication, anyway.

(And they'd also change my name to a more feminine one, which I don't have a problem with. Maxine Hunter? No? Okay.)

I sent off a query letter, an outline, and the first few chapters of the story in--wait for it--2018. ("Wait for it" is practically the theme of this story.)

Just two months later, which is five hours in publishing time, an editor wrote back and requested a full manuscript! This is a Big Deal. The average traditional publisher receives so many queries that if they aren't occasionally rejected by the dump truck load, they collapse the building.

Then I heard nothing.

For years.

"And this is when I stopped hearing from them."

I sent a "nudge" a year later, and another one two years after that. Nudges are when desperate writers, who at this point want ANY news, gently ask for such news while groveling as much as possible. After the second nudge, I finally got a reply.

They'd lost my manuscript.

So they asked for it again, in early 2021, and I was happy to oblige. A little over a year later, I sent another nudge. And another. I don't feel like going back to count, but I sent several.

I went back to count: It was four. No one wants to annoy an editor, but I started including other people from that particular line, assistant editors and such. By the time I gave up, I'd shotgunned about six different people in my pleas, which had turned from "Like me!" into "At least put me out of my misery!"

When a writer is waiting to hear back on a book submission, the best thing they can do is work on another book. This I did, but there was a thriller-level twist: As I plotted it out, I realized it could easily fit into the Mist Creek world I'd developed. I a huge fan of series. Serieses. Seriez? Serii? Anyway, my Storm Chaser series is a series. That's why I call it a series. So I wove this one into the Mist Creek community.

Then, the next year, my wintertime depression was hitting me pretty good, so I decided to cheer myself up by writing a Christmas romance. Set in Mist Creek. So I did.

So now, with the first book having not sold, I have a series. Most romance publishers love a good series, but they prefer to approve the books individually.

By then I learned something that Harl--the publisher had done that rendered the entire question a moo point.

Maybe it's moot. Anyway, they had changed the requirements for that particular line. Not only did my manuscript no longer fit the description of what they wanted, but it was now 10,000 words too short. They were now also no longer accepting unagented submissions, which is what mine was.

So, I sent them--all of them--an email withdrawing my manuscript. It had been five years.

Was I ghosted? Was it some horrible mishap in which they changed their email provider and mine all got lost in the shuffle? Was it me being male, instead of female? Did I accidentally send my correspondence to a publisher in another dimension, and we'd gone out of phase?

Beats me, and boy, did I feel beaten. But, giving the benefit of the doubt, my withdrawal email was nice and polite, as I tried to keep all my emails. It pays to be nice, and maybe someday they'll answer it.

Besides ... they have other lines open for submission.

You can read our books, romantic or not, here:

·        Amazon:  https://www.amazon.com/-/e/B0058CL6OO
·        Barnes & Noble:  https://www.barnesandnoble.com/s/"Mark R Hunter"
·        Goodreads:  https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
·        Blog: https://markrhunter.blogspot.com/
·        Website: http://www.markrhunter.com/
·        Instagram: https://www.instagram.com/ozma914/
·        Facebook: https://www.facebook.com/MarkRHunter914
·        Linkedin: https://www.linkedin.com/in/markrhunter/
·        Twitter: https://twitter.com/MarkRHunter
·        Youtube: https://www.youtube.com/@MarkRHunter
·        Substack:  https://substack.com/@markrhunter
·        Tumblr:  https://www.tumblr.com/ozma914
·        Smashwords:  https://www.smashwords.com/profile/view/ozma914
·        Audible:  https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

Remember, every time you buy a book from a local author, Big Publishing quakes in its leather-bound boots.

Current Mood: frustrated
Current Music: Paperback Writere

Tags:

Well, it's time for a look at how I did in publishing last year or, as I like to put it, it's Black February.

Back in 2023, in an attempt to prime the pump, so to speak, I invested some money in advertising. You have to spend money to make money, the experts say.

There's a British term for what the experts say: bollocks.

Okay, maybe not fair. In 2022, including the anthologies I have short stories in, we sold 539 copies. This is give or take: Sales numbers are guarded by the publishing industry the way I guard my hoard of chocolate.

In 2023, the year of the great advertising experiment, we racked up 624 sales, again including the anthologies. Great, right? Except I also racked up great expenditures, which Emily would have stopped if I hadn't been so obsessed with the numbers that I didn't think to talk it over with her. (She found out. Boy, did she find out, and by the way our couch is very comfortable.)

The chair's nice, too.

Ahem. Long story short, I spent $11 for every dollar the book sales earned.

This is not a sustainable business model, except in Washington, D.C., and they have 341 million investors.

So in 2024 I worked on reducing our advertising costs, while not reducing book sales. This didn't work. According to my calculations, I did indeed manage to reduce advertising costs by 2,180 percent, but ....

Wait a minute. That can't be right. Let me hit the calculator again.

Okay, for every five dollars I spent in 2023, I spent 3 dollars in 2024. I really need to apologize to my math teacher for telling him I'd never use this stuff. Once, around 1990, I even needed algebra. Of course, I'd forgotten it.

On the one hand, total sales from last year were 492, down from 539 copies in 2023. On the other hand, I no long have access to sales numbers for the two anthologies. (Long story.) If the same number of those were sold in both years, our total numbers for 2024 would be 651, a slight increase. Yay?

Except I still spent more than we took in last year.

Business takes a lot of the fun out of writing.

Our biggest seller for 2024 was Coming Attractions, including one copy that went to Australia, and one to the UK. This is partially due to a really weird spike in sales through Amazon, which reported it was from searches using the keyword "ebooks". That makes as much sense as my math skills.

The second biggest seller was Hoosier Hysterical, including one copy that went to Germany, followed by Storm Chaser and The No-Campfire Girls. That pretty much matches the year before.

Still following the numbers? Me, neither. Here's the upshot: For every book sold, I still spent four and a half dollars. That doesn't include internet costs, or the fact that we had to buy a new laptop.

But now I've cut way down on my advertising, which so far this year led to a corresponding decrease in sales. We'll see if the release of The Notorious Ian Grant makes a difference, since we didn't put out any new product in 2024 or, as I like to call it, Year 4: Decade Of Hell.

My original plan for 2025 was to sell at least 1,000 copies. I've changed that: now the plan is to make more money then I spend. Otherwise, I might as well just be a Congressman.

You can help pad my numbers by buying our books here:

· Amazon: https://www.amazon.com/-/e/B0058CL6OO

· Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"

· Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter

· Blog: https://markrhunter.blogspot.com/

· Website: http://www.markrhunter.com/

· Instagram: https://www.instagram.com/ozma914/

· Facebook: https://www.facebook.com/MarkRHunter914

· Linkedin: https://www.linkedin.com/in/markrhunter/

· Twitter: https://twitter.com/MarkRHunter

· Youtube: https://www.youtube.com/@MarkRHunter

· Substack: https://substack.com/@markrhunter

· Tumblr: https://www.tumblr.com/ozma914

· Smashwords: https://www.smashwords.com/profile/view/ozma914

· Audible: https://www.audible.com/search?searchAuthor=Mark+R.+Hunter&ref_pageloadid=4C1TS2KZGoOjloaJ&pf

Remember: Sometimes the term “starving artist” is a little too close to literal.

Tags:

At long last I can finally announce that we're finished with Haunted Noble County, Indiana!

I mean, of course, until I get edits back from the publisher. Emily finished her go-through, correcting all my small mistakes and showing me the big mistakes to correct. By the time you read this, our editor at The History Press will be shaking his head and muttering, "You had a whole year, and couldn't clean it up better than this?"

Well, I hope that's not what he's saying.

This is the longest it's ever taken me to write a book, with the exception of Smoky Days and Sleepless Nights. In both cases that includes long delays in which nothing got done at all. Not my fault! Mostly.

Then there were the pictures. We planned on about thirty, most taken by Emily and me; we turned in fifty.

Photography wasn't all that easy when John A. Harkless was doing it.

That's the tombstone of John A. Harkless, a photographer who should get his own credit in the book. For this book and for Images of America: Albion and Noble County, we depended on several local sources for historical photos. But most of the older photos, at least from the Albion area, originated with Harkless.

It wasn't unusual for us to find the same photo in more than one collection--sometimes from four or five sources. In that case, we credited the first place we found it. Often that was the Noble County Historical Society (which operates the Old Jail Museum), or the collections of Mike Mapes and Grace Leatherman, or the Stone's Trace Historical Society.

The funny thing is that Haunted Noble County, Indiana isn't an historical book, really. It's supposed to be about ghosts and haunted places, and that means places that are haunted today, doesn't it? But I love to research, and I love history. Whenever we encountered a local ghost story I couldn't help thinking: What events let to a spirit hanging around? How long have they been there? What was the place like when they were alive?

We found this photo of the Wolf Lake Onion Parade in three places, although first through the Noble County Historical Society.

Well, if you love researching, and you get a chance to research, what happens? That's right: rabbit hole. A lot of rabbit holes.

It's not the only thing that delayed the project, of course. I've mentioned before our visit from COVID, which overstayed its welcome. We got so delayed that when I finally saw the finish line, I realized I had to make a dash to reach it. Or, to put it another way, the deadline was approaching like Godzilla on a bender.

This photo was in Mike Mapes' massive collection. (Just to clarify, none of the photos in this blog are in the book--they're just examples of what great history people have preserved.)

So once again--I said the same thing in May--sorry to anyone I didn't reconnect with before it was too late. Also, thank you to those I did connect with, and there were many, and thank you again for all those history buffs who helped lead me down those various rabbit holes. Sometimes I ended up in areas that didn't add to this project, but that doesn't mean they weren't fun.

The Stone's Trace Historical Society had this photo of downtown Ligonier.

And when will the results of our hard work be revealed to the world? Well ... I did mention that we missed deadlines, right? Our editor was very understanding, but the world of traditional publishing plods on like an old plow horse, and I wouldn't expect to see it before the spring of 2025--maybe later. I'll keep you updated.

Amazon: https://www.amazon.com/-/e/B0058CL6OO
Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
Blog: https://markrhunter.blogspot.com/
Website: http://www.markrhunter.com/
Instagram: https://www.instagram.com/ozma914/
Facebook: https://www.facebook.com/MarkRHunter914
Linkedin: https://www.linkedin.com/in/markrhunter/
Twitter: https://twitter.com/MarkRHunter
Youtube: https://www.youtube.com/@MarkRHunter
Substack: https://substack.com/@markrhunter
Tumblr: https://www.tumblr.com/ozma914
Smashwords: https://www.smashwords.com/profile/view/ozma914

Remember: Every time you read a book, an ancestor smiles in their grave. Which is actually kind of scary.

Tags:

I used to be a submitting machine ... but now I'm tired.

If a writer wants to be traditionally published, they must submit. Their short stories, novels, non-fiction books, must go out to those publications that accept un-agented submissions, or they must go through literary agents for the other publications. (Independent publishing is a different animal, which some writers swear by to bypass traditional gatekeepers.)

I have an Excel file I've used to track my submissions since 2009. (!) It has 418 entries. Some of those resulted in request for further materials, such as a synopsis and opening chapter that led to an agent wanting to read the entire manuscript. A very few led to publication.

In 2022 I submitted to magazines, agents, and book publishers 77 times. In 2023 I only made 45 submissions, and so far in 2024--zero.

What went wrong?

There are always distractions. This distraction lives next door, and likes to have her belly rubbed.

What went wrong is what went right: I got a "yes", and was contracted to write a book. It took me a year, during which time I was too busy to worry about my other projects. Now it's time to play catch up.

That stranded a lot of material, just waiting to go back into the wild, cruel publishing world. On the other hand, I have the advantage of considering most of it fair game again: If no one I submitted to has expressed interest for over a year, chances are pretty good I can move on. That includes, sadly, a couple of exciting requests for fulls.

So I have six completed short stories ready to go out. I'll probably polish them, and everything else, one more time before submitting, since they've grown "cold" and I can look at them with a more objective eye.

I'd really like to see all this done before I grow cold.

I have six completed novel manuscripts, and two more that need revisions before they're ready. Oh, and a novella: a Storm Chaser prequel that promises to be a lot of fun.

I have two books, one fiction and one non-fiction, that I started on and need to finish.

Then there's my sudden realization the other day that the nation's 250th anniversary is coming up in just a couple of years, and that might present the perfect opportunity for a Hoosier Hysterical sequel.

I'm thinking "Hoosier Hysterical II: Hoosier Hystericaller". No?

This is why sometimes it frustrates me that I could have retired from my full time job two years ago, but can't afford to. Imagine what progress I could make if I sold enough books to write full time!

Well, I guess that's what promotion and publicity are for. They're next on the list.

Amazon: https://www.amazon.com/-/e/B0058CL6OO
Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
Blog: https://markrhunter.blogspot.com/
Website: http://www.markrhunter.com/
Instagram: https://www.instagram.com/ozma914/
Facebook: https://www.facebook.com/MarkRHunter914
Linkedin: https://www.linkedin.com/in/markrhunter/
Twitter: https://twitter.com/MarkRHunter
Youtube: https://www.youtube.com/@MarkRHunter
Substack: https://substack.com/@markrhunter
Tumblr: https://www.tumblr.com/ozma914
Smashwords: https://www.smashwords.com/profile/view/ozma914

Remember: Every time you buy a book, you encourage an author to write another one. Enable those poor people.

Tags:

Never mind how much a book is worth to you; how much is an author worth to you?

After all, a book is only a shaving off a tree, or a little blip of electricity. An author, on the other hand, is a living being who needs not only reviews and sales, but also coffee (or in my case tea), food, electricity, and occasionally a new laptop. My wife bought me a keyboard that feels and sounds just like a typewriter: It brings me great joy, but also cost about a month's worth of book sales.

Not that it was expensive, I just don't sell that many books.

Desks, computers, chairs, swords ... writing can be expensive.

How much a reader should pay for a book is a question that's been debated since Gutenberg bought too much ink and ran his first Black Friday sale. Among other things, it depends on your level of fame. The ebook edition of Stephen King's newest book is priced at $14.99, more than some of my print books. Our traditional publisher has our photo-heavy history book Images of America: Albion and Noble County priced at $12.99 as an ebook, and another publisher has my romantic comedy Radio Red at $3.99.

Guess how many books King sells, compared to me? Yep: The answer is "lots".

We do better with our self-published books, which run from 99 cents to $2.99 as ebooks. Fun fact: Some readers refuse to buy 99 cent books, assuming at that price they can't be any good. This assumption is both foolish and wrong. I suspect that price is often an act of desperation by good writers.

On the other end of it, Hoosier Hysterical has lots of pictures, and we can't sell it at less than $2.99 without losing money. That's the best we can do without just giving it away. Hold that thought.

No matter what the price, it's hard for lesser known authors to get into brick and mortar stores.

So, ten or twelve bucks for an electronic book. Crazy expensive, right? I mean, we don't have to pay for paper, ink, shipping ... how greedy can we be?

But how much is an author worth?

Three times I've written the rough draft of a book in thirty days. That's great, but it took a few weeks to prepare for the writing, then a month or two after to revise it before the story was decent enough for my wife to read. Then there's the revision after she returns it to me. The month of actual writing, when I push it hard, consists of working my full time job, writing, eating while writing, and nothing else. Some people can get books out the door faster, but I have to think they don't have full time jobs.

The old joke: An author can't make enough money to write full time until he's written and sold enough books, which he can't do until he writes full time.

So it goes.

So, a dollar for something it took me at least three months to produce, not including all the time spent on promotion and advertising? Writers are worth more than that. Even me.

Which brings us to giving books away for free.

Some authors swear that giving their ebooks away gets them so much attention that people come back and buy their other books, thus advancing their career in the long run. That seems to work for them, but it's not been my experience. Just the same, every July for the last few years I've entered the one novel I have up on Smashwords, Coming Attractions, into the Smashwords Summer/Winter sale.

Has it resulted in more readers for the other books? Not that I've noticed. It doesn't even lead to that many readers picking it up for free. Smashwords has a lot of authors, so my deal has to fight for attention with all those other deals. On the other hand, my sales aren't great in July to begin with, and it doesn't seem to be doing me any harm, either.

I'm curious how you, both the reader and the writer, feel on the subject. Maybe I'll try other giveaways at some point, even though I don't think authors should have to do that. I also don't think authors should have to spend so much time promoting and advertising, but welcome to the real world. How do you feel on the subject?

Oh, and Coming Attractions is free here:

https://www.smashwords.com/profile/view/ozma914

But you already knew that.

Summer themed. Well, kinda.

Amazon: https://www.amazon.com/-/e/B0058CL6OO
Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
Blog: https://markrhunter.blogspot.com/
Website: http://www.markrhunter.com/
Instagram: https://www.instagram.com/ozma914/
Facebook: https://www.facebook.com/MarkRHunter914
Linkedin: https://www.linkedin.com/in/markrhunter/
Twitter: https://twitter.com/MarkRHunter
Youtube: https://www.youtube.com/@MarkRHunter
Substack: https://substack.com/@markrhunter
Tumblr: https://www.tumblr.com/ozma914
Smashwords: https://www.smashwords.com/profile/view/ozma914

Remember: Every time you get a book for free, it counts as a free book.

Current Mood: contemplative

Tags:

books,
coming attractions,
ebooks,
giveaway,
hoosier hysterical,
images of america: albion and noble coun,
promotion,
publicity,
publishing,
romance,
romantic comedy,
smashwords,
writing

An interesting thing about the publishing industry is that it takes great pains to make sure an author never knows how many books he's selling.

Meanwhile, at certain points in the process, that's the only thing authors want to know.

Actually, the traditional publishers I've worked with have been good about giving me sales reports--every three or six months. But it can be hard to read their reports, in the same way it can be hard for the janitor at a college to understand a blackboard full of physics equations. Well, maybe they can sometimes. A better example would be someone giving me the full schematics on how to wire an electrical system into a house, then expecting me to actually do it.

"Gee, he seemed smart enough to manage. I'm gonna miss him."

When it comes to places that sell your work, such as Barnes and Noble or the elephant in the room, Amazon ... good luck. Most of my books are independently published, so there is no publisher trying to keep track of my sales. You'd think the bookselling websites would do that, but ... well, you'd think more people would read, too.

Maybe I could sell them like donuts. "I'll take a white one, and a blue one, and ...."

I'm telling you all this to explain why, while I've come up with an estimate of my 2023 sales, I have no idea how accurate it is.

Fairly accurate. I think. Within reason.

So, in 2023 we sold 624 books. I think. 482 were e-books, and 142 were print copies. (In 2022 I actually sold a hardcover copy of Images of America: Albion and Noble County. I mention that because, before then, I didn't think you even could buy hardcover copies of our books.)

Our 2022 total was 539 sales, so we're up by 85 books. It's a good number, considering we haven't done an author appearance since the beginning of Covid. Now that I've actually had Covid, I'm not thrilled about going out into crowds in the immediate future, either.

Our best sellers:

151 copies of Coming Attractions.

145 copies of Hoosier Hysterical: How the West Became the Midwest Without Moving At All.

104 copies of Storm Chaser (which was re-released with some fanfare early in the year).

51 copies of The No-Campfire Girls.

The other books were, shall we say, not great sellers. All sold at least a few copies except for Slightly Off the Mark: The Unpublished Columns, which has the disadvantages of having been out for several years, and of being a humor book by someone who isn't already famous.

"Dude, these are stale."

Still, good money, right?

Well ...

I also experimented with advertising all last year. Online ads did indeed increase our sales, but they didn't lead to a profit. For every dollar in gross sales we made, I spent about two dollars. ("I" because Emily wasn't involved in that pile of commercial misfortune.)

But wait--there's more. Depending on how they were published and where they were bought, our profit was between 60% and 6% of each book sold. The 60% ones were the books Emily slaved and sweated over.

Do that math, and for every dollar we made, I spent five dollars in advertising and promotion.

This is fine for a hobby. I could collect toy trains, or fix up antiques, or bend my elbow at the bar every night, for a similar amount of money. It is not, however, what anyone would call a sustainable business model. It's more like trying to sell your product by screaming out the brand name as you leap off a cliff.

"Losing the house is no big deal, I can write in the car."

So, I have two goals when it comes to selling books in 2024. One is to sell a thousand copies of our various books in the space of one year. There are a couple of years when I may have done that, but I'm too lazy to go back and do more math--I'd rather think of it as a new obtainable goal.

My second goal is to do that while making more money than we spend. I don't know ... maybe my goal should be to sell the same number as last year, but without taking a loss. Many authors manage to do this.

Not many manage to make a living at it, but if I wanted an easy job I'd be a physics professor.

Amazon: https://www.amazon.com/-/e/B0058CL6OO
Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
Blog: https://markrhunter.blogspot.com/
Website: http://www.markrhunter.com/
Instagram: https://www.instagram.com/ozma914/
Facebook: https://www.facebook.com/MarkRHunter914
Linkedin: https://www.linkedin.com/in/markrhunter/
Twitter: https://twitter.com/MarkRHunter
Youtube: https://www.youtube.com/@MarkRHunter
Substack: https://substack.com/@markrhunter
Tumblr: https://www.tumblr.com/ozma914

Remember: Every time you buy a book, an author can buy a cup of coffee to keep him awake while he's writing his next book.

Tags:

My Capital One card (well, the service) just notified me of a price break on a book I might be interested in:

https://www.ebay.com/itm/142421058411?mkevt=1&mkcid=1&mkrid=711-53200-19255-0&campid=5337795679&toolid=10001&customid=441225e4afd549aba489231e2f2cf8dc

Well, yes, I'm interested in it--but I already have several copies.

Tags:

albion and noble county,
arcadia publishing,
author,
books,
history press,
images of america: albion and noble coun,
indiana,
noble county,
price drop,
publication,
publishing,
reading

Okay, so check this out: As I'm sure all of you remember, back in 2021 I had a short story, "Everybody Knows Your Name", published in East Of the Web, an online fiction magazine. The original short story is here:

http://www.eastoftheweb.com/short-stories/UBooks/EverKnow1183.shtml

And the post I made about it is here:

https://markrhunter.blogspot.com/2021/01/new-short-story-everybody-knows-your.html

Not that you need to read the blog post, but I try to be thorough. Anyway, the story has been translated and republished ... in Romanian.

It has TOO. I have proof:

https://fictiuni.ro/toti-iti-stiu-numele-mark-r-hunter/

Amazingly, my name in Romanian is the same as my name in English.

Ha! Told you. The Senior Editor, a very nice man named Nicu Gecse, asked if I would allow the story on fictiuni.ro for their tenth anniversary issue. As you might imagined, I checked to make sure it's the real deal, and it is--they've even published an Isaac Asimov story.

"Everyone Knows Your Name" is the story of a time traveler whose first trip--as tends to happen with time travelers--doesn't go at all the way he planned. I love time travel stories, and I tried to make this one original, and ... maybe I succeeded. If not, I'll just go back to 1955 and try again.

So you people taking Romanian to get that language minor, here you go--enjoy! Of course, the story won't be a true classic until it's translated into Klingon.

Amazon: https://www.amazon.com/-/e/B0058CL6OO
Barnes & Noble: https://www.barnesandnoble.com/s/"Mark R Hunter"
Goodreads: https://www.goodreads.com/author/show/4898846.Mark_R_Hunter
Blog: https://markrhunter.blogspot.com/
Website: http://www.markrhunter.com/
Instagram: https://www.instagram.com/ozma914/
Facebook: https://www.facebook.com/MarkRHunter914
Linkedin: https://www.linkedin.com/in/markrhunter/
Twitter: https://twitter.com/MarkRHunter
Youtube: https://www.youtube.com/@MarkRHunter
Substack: https://substack.com/@markrhunter
Tumblr: https://www.tumblr.com/ozma914

Remember, if you ever go time traveling, take a good translation book with you.

Tags:

A few years ago we got the publishing rights back to our Storm Chaser series of books: Storm Chaser, Storm Chaser Shorts, and The Notorious Ian Grant. Our plan was to independently publish all three.

Sales had been flat, and the publisher that bought the publisher that bought the books (!) left their pricing (in my opinion) too high for a little known author. $3.99 is a great Kindle buy for a Steven King novel, but few people had heard of Mark R. Hunter.

(Many of those who did thought I was the CEO of Molson Coors Brewing Company. I once got a nasty e-mail from someone who didn't like how I was running my baseball team.)

Well, COVID happened, along with a bunch of other unforeseen problems of various kinds, but here it is!

We made a few edits, but basically it's the same story (a little R-rated in a couple of places) at a much lower price: The e-book version is $1.50 instead of $3.99, and the print version $14 instead of $16.99. (Printing costs are killing everyone.) Check it out here:

https://www.amazon.com/Storm-Chaser-Mark-Hunter-ebook/dp/B0C7MB95NH

Storm Chaser is a romantic comedy pairing a Californian disaster photographer with an Indiana State Trooper who hates photographers—and Californians. I have a feeling he’ll come around … but meanwhile, who’s causing emergencies in his home area, just in time for her to photograph them?

There are still original editions of the book wandering around out there, with the same character on the cover. It seemed best to make the new cover different, but not too different.

We did get Storm Chaser Shorts, now titled Storm Squalls, out last year.

It can be found here, https://www.amazon.com/Storm-Squalls-Mark-R-Hunter-ebook/dp/B09YGJ1XR6, also at a lower cost.

I haven't been advertising Storm Squalls because most of the stories take place after the events of Storm Chaser--but now Storm Chaser is officially on the virtual bookshelves, so I can promote the heck out of both in between working on new projects. We're going to get The Notorious Ian Grant back up too, but it might have to wait until autumn.

But wait ... there's more!

Coming Attractions will be FREE on ebook in July, part of the Smashwords July summer/winter sale.

Participating authors can be found here: https://www.smashwords.com/shelves/promos, starting July 1st, and my account is at https://www.smashwords.com/profile/view/ozma914. There you'll also find the two fiction anthologies I have stories in, also at the attractive cost of zero.

More about that later, but I wanted to give everyone a heads up. Now even the dog knows.

He's a little upset I didn't ask his help in editing, though. Don't tell him, but Emily's much better at it.

By the way, my YA novel The No-Campfire Girls is also in the Storm Chaser universe, as it shares some of the same characters.

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If we sell a hundred books by the end of summer, I'll recite one of my humor poems online. If we sell a thousand by the end of summer, I promise I WON'T recite poetry online.

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Ordinarily, rather than posting the details from my newsletter here, I post a link to the newsletter and beg you to subscribe. But this is the announcement of our newest project, so I figured I'd give everyone a heads up. Just the same, subscribe to the newsletter! The link is here:

https://mailchi.mp/42a747371840/every-old-book-is-new-again-sort-of

On a related note, you should see these three books disappearing from Amazon and other sites in the immediate future. I have the rights back, and they'll all be reissued later.

Our new project goes back to the Storm Chaser universe!

Well, kind of new. Back in 2011 my first published book, Storm Chaser, wasn't out yet when I mentioned to my editor that I was writing related short stories, which I planned to post to generate interest in the book. Much to my surprise, my publisher offered to put them together into a collection, which became my second published book: Storm Chaser Shorts.

The title is my fault. It was a working title and I never really liked it, but I couldn't come up with anything better.

The collection of stories came out exactly one year after Storm Chaser, on June 1, 2012. A lot of people don't know that. A whole lot of people. The problem is, I'd generated local and regional interest in Storm Chaser, and as a result I made a lot of direct paperback sales myself. I couldn't do that with Storm Chaser Shorts, which was so short my publisher felt they couldn't justify a print version. So it was e-book only, and I had trouble generating sales among print book lovers.

"So ... what happened next? Don't leave us in suspense!"

Fast forward several years. Sales for my first three books lessened, and although they'd been out for awhile my publisher had them at the same price--which in my opinion was too high, especially for Storm Chaser Shorts, which was, after all ... short. I decided to get the rights for all three back, so I could publish my own editions of them.

And by "I" I mean my wife, who has the talent to actually do that kind of stuff.

It was a huge struggle to make contact with anyone at my publishing house, which by then had been taken over by a larger publisher that put the e-book versions on the Simon and Schuster webpage. There they were generally forgotten. It took a couple of years, but now they're mine again (although for some reason they're still up on the S&S website).

We'd meant to publish new versions in their original order, but the story collection seemed so neglected we decided to go there first. The stories mostly took place before or just after the original Storm Chaser, so to a certain extent it's a prequel, anyway.

Not for long, though, because the new printing will include several related stories I wrote and posted for the fans over the years. In addition--and here's the big news:

Storm Squalls--formerly Storm Chaser Shorts, which always made me think of someone wearing swim trunks--will include a brand new, never before seen 6,000 word short story!

And a price drop! (Well, for the e-book version. You can't reduce what never had a price to begin with.)

And a new cover because, well, the cover art doesn't belong to me. I don't know what the new art will look like, but Emily will as soon as she's created it.

So let's review: As soon as Emily has recovered from her knee surgery enough to concentrate on it, we'll be putting together a short story collection with a reduced price, new cover, more material, and a brand new short story. It will be renamed Storm Squalls ... or Storm Showers ... I can't remember what we decided on at the moment, and Emily's asleep.

But stand by! We'll be announcing more as the release date gets closer.

And happy autumn! Okay, I may hate fall ... but maybe some of you don't.

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Writing instructors, editors, publishers, they all say the same thing: When writing a piece of fiction, start at the beginning; go to the end; then stop.

Don't pad it. Don't be too sparse. Just make your story as long as it needs to be, no longer. It's good advice.

It's also wrong.

What do these works have in common? That's right: They're too short.

I got lucky with my early books, because my publishers weren't that picky about word count. My novels tended to weight in at around 55,000 words, which sounds like a lot, but it's at the lower edge for fiction. The first science fiction novel I tried to sell clocked in at around 62,000 words. I reevaluated it, added some new and expanded scenes, and got it up to 68,000. That was it. The whole story.

Now, Fahrenheit 451 by Ray Bradbury is only 46,000 words long ... but that's Ray Bradbury. Stephen King wrote The Stand, which is half a million words and thus far over the norm for any book. But he's frakking Stephen King. Believe me, a new author will get nowhere by whining that, well, George R.R. Martin and J.K. Rowling write long!

"When millions of people know you by your initials, get back to us."

Many publishers won't even glance at your work if you don't go through a literary agent, so although they aren't strictly necessary, they can be great door openers. But after Beowulf: In Harm's Way got several rejections, one agent decided to level with me:

"I'm afraid this isn't right for me, but beyond that I'm also concerned that your word count of 68,000 is on the low end for Science Fiction."

What ... this is it? Did you consider putting in more dog scenes?"

According to my research, people in publishing think the right word count for a science fiction novel is around 80-120,000 words. It varies for other genres: For instance, romance novels can commonly be as low as 50-55,000 words, which is how I got away with my romantic comedies. But it's possible some of the agent rejections for Beowulf: In Harm's Way were as much because of its length as anything else.

This really rubbed me the wrong way. We get lectured over and over: Never pad your story! It should be as long as it needs to be, and no more! Cut the fat! So if the story is perfect at 68,000 words ... what the heck?

I struggled with this for some time: If I wanted my story to come out at the low end of the proper length, I'd have to add at least 12,000 words. Of course, I could self publish it at whatever length I wanted, but I really wanted this story to have a chance with a big publisher, and even be the beginning of a series. But ... 12,000 words ...

Luckily, a solution was already right there, on my hard drive.

"Check this out: I'm putting in a prologue! That'll show 'em."

When my first novel, Storm Chaser, was picked up by a publisher, I thought it would be fun to promote it by writing short stories about the characters, to give away as a way to get readers interested. My publisher jumped on that, and the collected stories became my second book, the collection Storm Chaser Shorts. I liked writing about the characters so much that I'd already decided to do the same with Beowulf: In Harm's Way. In fact, I'd already written five short stories in that universe.

Three of them were fun but silly little pieces that I didn't feel belonged in the novel's narrative. The other two were longer, and took place at the beginning of the story. They became chapters one and two, and I wrote a prologue that led right into them. (Prologues are another controversy. I like 'em, if they have a point.) By the time I'd added some connective material and looked through the manuscript for thin areas that could be expanded ...

Ta Da! 84,000 words, and none of it padding. I don't think.

I can't really complain, because after I put it all together, revised, polished, and read it again ... the manuscript was better than the shorter version. (Well, I think so. What do I know? I should ask some beta readers to check it out.)

How do you feel about word counts? Do you care, or is a long book intimidating, or does a short one seem too lightweight? It seems strange to me that novels seem to be getting longer, even as potential readers are accused of having shorter attention spans.

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See that little play on words I did with the title? No? Never mind.

I finished the final polishing of We Love Trouble. It tops out at 81,000 words--still the longest novel I've written yet. Boy, is writing a mystery tough: characters, suspects, clues, red herrings, ghosts, horses, Bigfoot ...

Well, it's that kind of story.

I already have Beowulf: In Harm's Way, Fire On Mist Creek, and Summer Jobs Are Murder at various points in the submission process, and I think I'll send this one out on the literary agent hunt. I really like it ... which doesn't mean it's good, of course, but if readers have half as much fun reading it as I did writing it, it should do pretty well.

I've described We Love Trouble as "The Thin Man meets Scooby Doo". For those of you who don't remember "The Thin Man", I could also describe it as "Hart to Hart Meets Scooby Doo". For those who don't remember "Hart to Hart", I'm at something of a loss. I assume everyone has heard of Scooby Doo.

I finished a submission cover letter, and here's one of the blurbs I came up with:

A near collision with a riderless horse leads travel bloggers Travis and Victoria Noble to an unconscious teenager—then to a dead man. A quiet Indiana camping trip for the Suzuki twins and their steeds has become a conspiracy involving horse racing, blackmail, and … morel mushrooms.

It's another fun mystery for the always helpful Nobles, who are so used to being suspects they have bail money on speed dial. Not so for their dog Wulfgar, whose unusual talents include seeing dead people. He struggles to protect his humans and pass on what the ghosts tell him: Something's unusual about the twins' horses, and the threat to the Suzuki family—and the Nobles—is far more than supernatural.

Yeah, I'd read that. Well, I already have, about a dozen times.

"Did you say dog?"

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Recently I spent two days sending queries to literary agents. Several hours of researching the agents and their agencies, composing query letters, enclosing requested materials, and sending out twenty-two e-mails. Most agents accept simultaneous submissions, but they also appreciate a personal touch, so researching whether we'd be right together was pretty time consuming.

By the end of the first day I'd already received two rejections.

Many authors do just fine without agents, these days. You don't need one if you self-publish, or if you submit to publishers that permit direct submissions, like most small and medium sized publishers. Harlequin, the Big Shot in the romance novel business, doesn't require agented submissions. In fact, one of the Harlequin lines is currently looking at my romantic comedy novel, Fire On Mist Creek.

They've had it for two years. I'm not confident.

Many authors get published without agents, after all. I should know.

Many publishers, especially the big ones, won't look at a submission unless it's received through an agent. Also, good agents act as full partners with the author, assisting in many areas besides the submission process, and also provide a shoulder to cry on. As slow as the publishing industry can be, that shoulder can be important.

But is an agent worth the process of finding one?

I tweak my submissions to make them more personal. In addition, each agent has different requirements: Some want a synopsis, some a separate author bio; some want the first five pages, or the first three chapters, or the first twenty-five or thirty or fifty pages.

So I took the time to target each. Some gave me a quick rejection; some I might never hear back from; some might send an encouraging note that they liked my writing, but didn't get excited enough about it. (And an agent must like your work, because they're going to dive into it with both feet.)

Maybe they'll like the query and ask for a partial; maybe they'll like the partial and ask for the whole manuscript; maybe they'll like the whole manuscript but, as with one agent, have a meeting with their staff in which it's ultimately rejected. (They loved my young adult novel but thought it wasn't dark enough, and felt "dark" was the way the YA industry was headed. No wonder young people today are depressed.)

Even if you ultimately land one, it might not be a good fit. I did have an agent, years ago, but eventually he decided to get out of the publishing industry, and I started again from square one. It wasn't my fault. I think.

There's ultimately no guarantee that the agent can make the sale, but you can be sure they'll try ... because a legitimate agency won't make any money from your efforts unless they do.

So there's the process: similar to the process of submitting directly to a publisher, and with a similar rate of success. Many authors are successful and perfectly happy with independent publishing, and others do very well submitting directly to publishers. Is the extra step worth it? Well, so far it's only cost me time ... on the other hand, time is a precious commodity.

We'll see what happens.

Any way you go, you still have to put the after-sale work in.

Find all of our (unagented) books at:

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As part of submitting to agents and publishers, an author often has to write a brief synopsis of their novel. It's no big deal: Just boil your 80,000 word work of art into a 500 word ...

Okay, it is a big deal.

The actual length of a synopsis depends on who's asking, which is why I usually do three: a long one that's basically an outline, a medium length one of 2-3 pages, and a short one of 500-1,000 words. None are easy, if you're a long form writer.

These days, most agents and publishers ask for a page or less. You leave out subplots and a lot of the drama--it's can be a little dry, unlike most of your writing output, with just the facts and a brief look at your characters.

My finished rough draft was 4,085 words, in 12 pages.

The second draft is 2,985 words.

So. I have a bit of work to do.

After that I have to write a blurb, something you'd find on the back cover of a book, and it has to be good, interesting, and descriptive, and even shorter. Add to that a cover letter for your submission, which will be sent along with the first, oh, three pages of the manuscript, or five pages, or five chapters, or twenty pages, or whatever they ask for, and there's your submission package. Much of that you have to do even as a self-published author, for promotion purposes.

Writers stress hard over submission packages. But with the odds against them, and most never making enough sales to do it full time, you can hardly blame them.

Off to edit, then. Or submit, or research agents, or ... now that I think on it, it's February. Maybe I'll just have some fun and start on another story. I'll worry about outlining the new one when the days are longer.

This is why writers get a reputation for drinking.

(Let's see who reads to the end of this: After a rough couple of hours, I got it down to 839 words! Still over two pages, but what the heck. I know what you're thinking: "Now, Mark, wasn't that easy?"

No. No, it was not.)

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My science fiction short story, "Everybody Knows Your Name", is available to read on the East Of the Web website:

http://www.eastoftheweb.com/short-stories/UBooks/EverKnow1183.shtml

It's about a scientist whose invention doesn't cause the problems most people think of ... instead, he finds an entirely new worry.

Remarkably, it only took about a week from the time they accepted this story until it came out. My last published short story took four months from acceptance to publication! But in that case there was also a print version of the magazine, while East Of the Web is e-pub only.

Let me know if you like it! Don't let me know if you don't like it. Yeah, I can take it, but I don't want to.

Remember, if you like a short story, it gets a chance to grow up and become a real boy.

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I got great news to start the new year--in fact, it came in just after 6 a.m. on New Year's Day! Which might be why I didn't find it until January 3rd.

But good news delayed is still good news: I sold a short story to an online magazine, East of the Web. "Everybody Knows Your Name" is a story about an inventor who discovers his fears about a new technology are baseless. instead, he finds an entirely new fear.

I'll let you know when I get a release date, of course. Here's their website:

http://www.eastoftheweb.com/

Guess I'll have to write a new one, now!

Remember, any short story that eats a balanced diet and takes their vitamins might grow up one day to be a famous novel.

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I wondered about the best way to start the New Year. I rarely drink--and if I didn't start drinking in 2020, I never will. I have no desire to see Miley Cyrus' Epiglottis on New Years Rockin' Eve (or whoever the most recent too young to be showing so much skin singer is).

What I do want in 2021 is to get published again.

So I plan to start the New Year with new rounds of submissions to publishers, magazines, and literary agents. I have short stories already out, but novel manuscripts that need to go out, including Fire on Mist Creek, Beowulf: In Harm's Way, and Summer Jobs Are Murder. Another three manuscripts are mostly done, but need some work yet: Smoke Showing, The Source Emerald, and We Love Trouble.

By the end of January I mean to have all my completed but unpublished manuscripts out and about, and seeing more of the world than I. Meanwhile, since both COVID and winter are likely to stick around for some time, I'll stay home and work on getting the rest nicely polished and pretty-looking.

I know what you're thinking: "You lazy sod, why won't you have all that done three minutes into the New Year"? Well, my paranoia has me pouring over query letters and synopsis' for hours before I upload manuscripts and hit the send button. Besides, a little celebration is in order--and I have a morbid fascination with seeing how incapable the folks in Times Square are of finding and using a trash can.

Okay, the truth is I have to work New Year's Eve. The other truth? After 2020, we shouldn't make plans: You never know what's going to fall on us in the New Year.

Remember, every time you don't read a book and leave a review, a wicked witch terrorizes Munchkins. Save the short people.

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This seems to have unintentionally become short story month on my blog, which is ironic considering how very long April has been this year. What the heck: Here's the full story of the magazine publication I mentioned earlier, and why it's a big deal for me.
------------------------------------------------------------------------

To understand how big a deal this is, you have to understand I've been writing short stories since I was eleven years old. Maybe ten. Maybe twelve, who knows?

I can't show you those stories, to demonstrate how good they were. Even if they still existed I couldn't, because--well--they weren't good. But I got started early, and all through middle and high school I wrote short stories (instead of studying), along with the occasional novel draft (which were also bad).

I wasn't yet eighteen when I started submitting them to science fiction magazines. (At the time all my short stories were SF, while my longer works were split between SF and firefighting adventures.) My submissions had one thing in common with my stories: They were bad.

But they got better. That's what it's all about.

As time went by I took three correspondence courses on writing, and filled a bookshelf full of volumes on writing, and read huge amounts of fiction, and got better. My aim: Isaac Asimov's Science Fiction Magazine, the cream of the crop as far as I was concerned. It's still around, now called Asmov's Science Fiction:

https://www.asimovs.com/

And its editors still reject me, from time to time. It's nice to have traditions.

Meanwhile, when my first novel was published, I told the publisher that I'd written some related short stories I wanted to give away, to promote the book. They said, "Sure--just send them all in, we'll publish them together!"

I said, "Huh?"

So I wrote even more short stories to fill it out, put them all in one manuscript, and they published it as Storm Chaser Shorts, a title I'm afraid I have to take the blame for. They're pretty good, if I do say so myself ... but they weren't magazine publication.

Meanwhile, I was a humor columnist for local newspapers, and they printed some Christmas related short stories by me. Then I got some stories printed in anthologies, which was great. But, doggone it, I wanted that first magazine credit! By now it had become a forty-five year obsession. I'd been collecting rejection letters in a box, until they went digital and I collected them in an e-mail box. Sometimes I'd get encouraging personal rejections, which in this industry is so close to in, but they were still rejections.

Then, one day, an e-mail came back that said, "Readable story." It seemed like the beginning of another "pretty good but" rejection, but it was just understatement.

My trials and tribulations weren't quite over, because the magazine's publisher had an illness and death in the family. I was accepted in September of last year, and it wasn't until the March issue of this year that "Grocery Purgatory" hit the cover of "The Fifth Di ..." I either missed it or it actually came out late, because I was surprised with a contributor's copy in April.

https://www.bookdepository.com/Fifth-Di-Tyree-Campbell/9781087870267?ref=grid-view&qid=1587112259481

And there it is, at 98 pages a magazine so thick it's almost a book, for just ten bucks and change. You want to do me a favor? You do? I thought so. Order you and your family a copy, tell all your friends, and get the word around. Why? Because I want to get published in more magazines. Maybe even, someday, Asimov's.

And even after throwing away the bad ones, I still have stories to submit ... and even more to write.

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https://www.amazon.com/-/e/B0058CL6OO
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A free sample of More Slightly Off the Mark: Why I Hate Cats, and Other Lies:

https://mailchi.mp/ff8ffdfa2652/in-which-we-give-free-samples-and-dog-photos?e=2b1e842057

The latest newsletter is out, in which I talk only a little about the coronavirus, and you still get your image of the faithful Beowulf, who’s very photogenic.

And—a free sample of our newest book, which you may have already guessed is titled More Slightly Off the Mark: Why I Hate Cats, and Other Lies. NOT the same sample you can already get on Amazon!

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I've been kidding myself with the name of one of my novel manuscripts. It's not that I was in love with the title: I was more in love with the possibilities the title represented.

Many readers are familiar with book series that have a progression in their titles. One For the Money, for instance, is followed by--well, what are the Stephanie Plum stories up to now? 27? And each numbered in order.

Sue Grafton has a letter in each title of her series, meaning that Z has to be her last one unless she starts throwing in subtitles, or something. AAA Is For Roadside Assistance might come after Z, but she started way back with A Is For Alibi.

When I started my young adult mystery novel, I wanted it to be a series, so I looked for something like that. Famous author names, cities, types of flowers, whatever. That would also make it clear to editors and agents that I was interested in a series, and series are big these days.

So, for instance, A Is for Asimov, or Boston Mystery, or Carnation Crime, or something like that. After thinking not long enough on it, I chose colors. For one thing, I could do those without going alphabetically. I'm not that good.

So I chose Red Is for Ick. I didn't realize at the time that all of Grafton's books have "is for" in the title, or maybe I'd have thought longer. But hey--red's the color of blood, and this novel would have a murder or two; and what would my fifteen year old hero, Cassidy Quinn, say about the blood? Yep: "Ick!" (You get to meet Cassidy, and briefly her father, in my YA adventure The No-Campfire Girls.)

It was brilliant.

Except for one problem.

The title makes sense when it's explained, but I just took three hundred words to explain it. You don't get that kind of space when you're querying an agent or editor. You need to cut to the chase.

I've been using this manuscript on the agent hunt, and got compliments and a few requests for the complete manuscript, one of them very enthusiastic ... but in the end, three dozen rejections. No, no one ever said they rejected it because of the title, and maybe the title's just fine and doesn't need explaining. But in the crowded world of publishing, you need every advantage you can get--starting with your title.

So what do you, the reader and/or writer, think? Granted, many titles are changed after the book is picked up, but (assuming you don't self-publish) you have to get the proverbial fish on the hook, first. Yay or nay on the title?

Here's a brief description of the book, if it helps:

---------------------------------------------------------------------------

( Error: Irreparable invalid markup in entry. Raw contents behind the cut. )

Current Mood: curious

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Slightly Off the Mark

Ghost In the Publishing Machine

Book Sale Report, 2024, or: Don't Give Up My Day Job

The Big Historical Finish, In Photographs

The State of My Writing Career

How Much Is An Author Worth?

Book Selling Report For 2023, or: Why I Cry

Hey, I know that book

Can Anyone In This Time Read Romanian?

My next book is my last book: Storm Chaser is back!

A New Writing Project in the newsletter! Well, Kind of New

Our new project goes back to the Storm Chaser universe!

How Long Should a Novel Be? No, Really?

Why We Love Trouble is a mystery

The Writing Process: Literary Agent Queries

How to Write a Novel in 500 Words

new short story: Everybody Knows Your Name

Another short story sold

New Year's Writin' Eve

My Long History With Short Stories

Giveaway sample of More Slightly Off the Mark, certified virus free

Red Is For Ick, or: How icky is that title?

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