I think I've said this before, but one wonders why I should bother reviewing a twenty year old book whose author surely doesn't need my help.

Ah, but it was new to me. Emily and I found Neil Gaiman's Stardust on audio book, read by the author himself, and enjoyed it immensely during some long trips over the summer of 2019. (I wrote this in early 2020, so if it seems a year old ...)

In the mid 1800's young Tristran Thorn lives in a little village called Wall, which gets its name from a literal wall with one doorway ... a door to the world of the Faerie. He's out to win the heart of the beautiful Victoria, so when he sees a star falling on the other side of the wall he vows to fetch it for her. She agrees to marry him if he brings back the star, but doesn't really take him or his quest seriously.

What he doesn't know is that when a star falls in the other world it takes the form of a young woman; and that Tristran isn't the only person in search of it. Her fate is intertwined with brothers fighting over a lordly title, and witches trying to prolong their lives. Then there are ghosts, an enchanted bird, air pirates, and, of course, a unicorn.

Stardust is very much a journey tale, created first as a "story book with pictures" -- meaning my wife and I missed part of how it was originally intended to be experienced. (It was also turned into a movie that we haven't seen.) The text by itself is good enough, as Tristran makes his way through the faerie world, meeting all sorts of quirky characters and encountering--often without knowing it--the people who are competing with him for their now more or less human prize.

Gaiman knows how to spin a tale. The story actually begins a generation earlier, with events that at first don't seem all that connected with Tristran's adventures. I've always admired authors who managed to weave a story that must have required scorecards, family trees, flow charts, and maybe one whole wall of notes. Luckily it's not all that complicated for the reader (ahem--listener), and if anything's the mark of a master storyteller, it's that.

There are plenty of worse ways to spend your time than to track down and read everything Gaiman writes, and I do believe I might just try it. And you could do worse than starting with Stardust, a fun and surprisingly deep fantasy that--believe me--is much more for adults than kids.

"God is dead. Meet the kids."

Fat Charlie Nancy is just a normal guy with a normal job and a normal girlfriend, which tells you, considering this is a Neil Gaiman book, that things are about to go very, very sideways for him. Sure enough, he soon learns that his father has dropped dead while singing karaoke in a Florida bar.

Fat Charlie hates his father, who seems to have made it his mission to humiliate his son, including giving him his nickname. Finding out that Dad was a god named Anansi doesn't change Fat Charlie's opinion a bit. But that little revelation is only the beginning, as Fat Charlie's brother, Spider, shows up and turns Fat Charlie's tiny spare bedroom into a huge pleasure palace.

Then things get weird.

 

 

 Nobody's better at taking regular people and dropping them down a rabbit hole than Neil Gaiman. He did it brilliantly in American Gods, and here he brings back one of those gods, Anansi, to torture his unsuspecting offspring. Fat Charlie, once settled into his London life, now finds himself ping-ponging across the Atlantic Ocean, with his job, relationship, and life in jeopardy as he desperately struggles to figure out what's going on.

It's a comedy.

After all, there are also few authors better at drawing humor out of their character's misery, either.

Although not as complicated as American Gods--there's only one god involved here, mostly, and way fewer characters--Gaiman weaves a great tale of rich and eclectic people, in a (shall I say it?) web that gradually draws their stories together. It's delightful, chaotic, and great fun, written in a free flowing way less experienced writers just couldn't get away with. I have a feeling Gaiman works hard to make his writing look like it's not hard work.

Last year I did a review of Neil Gaiman's American Gods:

https://markrhunter.blogspot.com/2017/07/book-review-american-gods-by-neil-gaiman.html

 Emily and I listened to it on audiobook while driving back and forth to Missouri and other places over the summer. It was only the second fiction audiobook I ever listened to, the first being Red Storm Rising by Tom Clancy. I read that print book first, and was disappointed in the audio version, which was abridged and in my opinion not dramatized well. (However, I've never been disappointed in non-fiction audiobooks.)

American Gods was just a reading, rather than a dramatization; maybe that's what did it for me, but I loved it. Then the TV series based on the book came out, and got my interest enough to try reading the book myself. The audiobook narrator did such an awesome job that it seemed the print version would be weaker.

It wasn't. It seems there's no version of American Gods that isn't awesome, including the TV show.

There are places for both, of course--for instance, my wife really hates it when I read and drive. What's your preference, if you have one? Audio or print? And maybe I should tackle the graphic novel next.

Maybe someday we'll even get to "see" some of my books on audio.

 

 

 

 

 

The two versions do seem oddly similar, somehow.

 

 

  I'm not saying I'm behind on book reviews, but Emily and I listened to American Gods while driving to and from Missouri—in 2015. So, I am saying I’m behind on book reviews, and since this one’s easy I thought I’d knock it out.
Not that Neil Gaiman needs any help from me, especially with American Gods on its way to becoming a TV series. (Wait, the show's first season is over; I'm behind on posting blogs, too.) Better that than a movie—I can’t imagine how they’d fit this story into a two hour or so time frame.
Main character Shadow is released from prison early, on the news that his wife has been killed in an accident. He’s flying home for the funeral when Mr. Wednesday appears next to him during a violent storm, and offers him a job. What’s the job, and how does Wednesday know so much about Shadow? That’s just the beginning of the mystery, and as close to normal as this book ever gets.
The grieving Shadow just wants to be left alone, but soon finds himself in a war pitting old gods against new gods as he wanders across the American Midwest, meeting every sort of odd character, human and otherwise. And that’s about as close as I can come to describing this mind-twisting novel in ten thousand words or less.
Although I like listening to podcasts and audio non-fiction, I haven’t had good experiences with fiction on audiobook. That changed with American Gods, which is narrated (performed?) by George Guidall. At least, my version was; I've since learned that there's at least on other audio version. Thanks to Guidall I can’t imagine Wednesday being played by anyone but Anthony Hopkins (well, I can now), but he does a great job with all the voices, as well as Gaiman’s wonderful narration.
This audio addition of American Gods is, I assume, unabridged, and so seemed to take forever. That’s a compliment. It was like an endless bowl of ice cream that you never get tired of. In fact, this novel is the reason why I usually give books I really like a four out of five rating. That way there’s room when the occasional perfect reading—well, listening—experience arrives. This is it: Five out of five.
https://www.amazon.com/American-Gods-Low-Price-MP3/dp/0062314297

(By the way, the series is just as mind blowing. Instead of trying to shove all this story and characters into one movie, there's actually room to expand it a bit. I couldn't imagine how they could turn American Gods into a TV series either, but they did it, and it's a work of surreal genius.)



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